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The Queen's Indian Defence, controlling the central e4-square with pieces, not pawns, is a hypermodern opening for Black.
The Hypermodernists demonstrated their new ideas with games and victories. Aron Nimzowitsch, considered the founder and leading practitioner of hypermodernism,[1] showed that games could be won through indirect control of the centre, breaking with Tarrasch's view that the centre must be occupied by pawns. Nimzowitsch advocated controlling the centre with distant pieces rather than with pawns, thus inviting the opponent to occupy the centre with pawns, which can then become targets of attack. This was part of the hypermodern framework, which Nimzowitsch encapsulated in his book My System, which greatly influenced many chess players. It introduced and formalised concepts of the pawn chain, overprotection, undermining, prophylaxis, restraint, rook on the seventh rank, knightoutposts, the dynamics of the isolated queen's pawn, and other areas of chess.
Although none of the primary exponents of the Hypermodern school ever achieved the title of World Chess Champion, they were among the world's strongest players. World Champion Alexander Alekhine was associated with hypermodernism, but his style was more of a blend with the Classical school.
In practice, hypermodernism has not replaced the classical theory of Steinitz and Tarrasch. Instead, modern chess textbooks describe hypermodernism as an addition, or extension, to classical theory.
Their ideas were thus a challenge to the existing orthodoxy popularised by Tarrasch in the 1890s. This orthodoxy was a rather dogmatic distillation of the ideas worked out by chess pioneer Wilhelm Steinitz. Steinitz was the first player who in his play demonstrated a mastery of positional chess, and the ideas he developed came to be known as the "Classical" or "Modern" school of thought. This school of thought emphasised the importance of "static" advantages such as avoidance of pawn weaknesses, strong outposts for knights, and striving for "good" rather than "bad"bishops in positions with locked pawn structures. This school of thought was in turn a reaction to the earlier swashbuckling style of Adolf Anderssen, Henry Blackburne, and others, who represented the Romantic school.
In 1922, Réti published Die neuen Ideen im Schachspiel (English: The New Ideas in Chess), an examination of the evolution of chess thinking from the time of Paul Morphy through the beginning of the Hypermodern school. The name "hypermodern" was originated by Tartakower;[4] his book Die hypermoderne Schachpartie (English: The Hypermodern Chess Game) was published in 1924. Nimzowitsch's book Mein System (English: My System) was published in 1925 through to 1927 in five installments. It discusses elements of hypermodernism, but focuses mainly on positional chess.