The term Old Norse: skjaldmær most often shows up in fornaldarsögur such as Hervarar saga ok Heiðreks. However, female warriors are also mentioned in the Latin work Gesta Danorum.[1] Both the fornaldarsögur and Gesta Danorum were written after the Viking Age and are considered fictional. Earlier reports of fighting women occur in some Roman sources from Late Antiquity.[2] They are often associated with the mythical Valkyries, which may have inspired the shieldmaidens.[3] They may have also been inspired by accounts of Amazons.
Etymology and meaning
The term Shield-maiden is a calque of the Old Norse: skjaldmær. Since Old Norse has no word that directly translates to warrior, but rather drengr, rekkr and seggr can all refer to male warrior and bragnar can mean warriors, it is problematic to say that the term meant female warrior to Old Norse speakers. Judith Jesch researched the word in an attempt to find its origin. While she found that it was used to describe Amazons as well as women warriors in Sagas, typically from the East, she found no conclusive evidence that it dates to the Viking Age, and suggests that it may have entered Old Norse in the 13th century. Additionally, the term is found in the name of a ship and in the nickname of a poet.
In modern English, it can refer to a generic female warrior, but is also used to refer specifically to a type of character appearing in the fornaldarsögur. Confusingly, it is sometimes used to refer to hypothetical female warriors in the Viking Age. Jesch argues against this usage in academic works, as to avoid confusion between textual and literal Shield-maidens. The term is also used in modern English as synonymous with valkyrie. Indeed, Brynhildr, a valkyrie, describes herself as a shield-maiden in the Vǫlsunga saga. However, the text was composed in the 13th century, and not in the Viking Age. In the Viking Age, valkyries served drinks in Vahalla and choose the dead in battle, but were not warriors in the same way as shield-maidens in the sagas.[4]
Two shield-maidens appear in Hervarar saga. The first of these Hervors was known to have taken up typically masculine roles early in her childhood and often raided travelers in the woods dressed as a man. Later in her life, she claimed the cursed sword Tyrfing from her father's burial site and became a seafaring raider. She eventually settled and married. Her granddaughter was also named Hervor and commanded forces against attacking Huns. Although the saga remarks on her bravery she is mortally wounded by enemy forces and dies on the battlefield.[5]
Now out of the town of Sle, under the captains Hetha (Heid) and Wisna, with Hakon Cut-cheek came Tummi the Sailmaker. On these captains, who had the bodies of women, nature bestowed the souls of men. Webiorg was also inspired with the same spirit, and was attended by Bo (Bui) Bramason and Brat the Jute, thirsting for war.
Scholars Judith Jesch and Jenny Jochens speculate that shield-maidens' often grim fates or their sudden return to typically female roles is a testament to their role as figures of both male and female fantasy as well as emblematic of the danger of abandoning gender roles.[5]
Brynhildr of the Vǫlsunga saga, along with her rival in love, Guðrún Gjúkadóttir, provides an example of how a shield-maiden compares to more conventional aristocratic womanhood in the sagas. Brynhildr is chiefly concerned with honour, much like a male warrior. When she ends up married to Guðrún's brother Gunnarr instead of Sigurðr, the man she intended to marry, Brynhildr speaks a verse comparing the courage of the two men:[7]
Sigurd fought the dragon
And that afterward will be
Forgotten by no one
While men still live.
Yet your brother
Neither dared
To ride into the fire
Nor to leap across it.
Brynhildr is married to Gunnarr and not Sigurðr because of deceit and trickery, including a potion of forgetfulness given to Sigurðr so he forgets his previous relationship with her.[8] Brynhildr is upset not only for the loss of Sigurðr, but also for the dishonesty involved. Similar to her male counterparts, the shield-maiden prefers to do things straightforwardly, without the deception considered stereotypically feminine in much of medieval literature. She enacts her vengeance directly, resulting in the deaths of herself, Sigurðr, and Sigurð's son by Guðrún. By killing the child, she demonstrates an understanding of feud and filial responsibility; if he lived, the boy would grow up to take vengeance on Brynhildr's family.
Guðrún has a similar concern with family ties, but at first does not usually act directly. She is more inclined to incite her male relatives to action than take up arms herself. Guðrún is no shield-maiden, and Brynhildr mocks her for this, saying, "Only ask what is best for you to know. That is suitable for noble women. And it is easy to be satisfied while everything happens according to your desires."[8] In her later marriages, however, she is willing to kill her children, burn down a hall, and send her other sons to avenge the murder of her daughter, Svanhildr. In the world of the sagas, women can be both honorable and remorseless, much like the male heroes.[citation needed]
Historical existence
Much of the study of shield-maidens focuses on them as a literary phenomenon. However, literary shield-maidens have long been seen by some as evidence of historical female warriors in the Viking Age. In the early 1900s a female weapon grave was found in Nordre Kjølen and labeled a shield-maiden. Shield-maidens however were not studied in depth till textual scholars began to examine the issue. Præstgaard Andersen, Jesch and Jochens all began to examine the textual sources.[9]Neil Price, argues that they existed.[10][11] Some scholars, such as professor Judith Jesch, have cited a lack of evidence for trained or regular female warriors.[12]
Archaeology
Graves of female settlers containing weapons have been uncovered, but scholars do not agree how these should be interpreted.[13] Norse immigrant graves in England and chemical analysis of the remains suggested a somewhat equal distribution of men and women, suggesting husbands took wives, while some of the women were under the burial.[14][15] In a tie-in special to the TV series Vikings, Neil Price showed that a 10th-century Birka-burial excavated in the 1870s containing many weapons and the bones of two horses turned out to be the grave of a woman upon bone analysis by Anna Kjellström.[10] In 2017, DNA analysis confirmed that the person was female,[16] the so-called Birka female Viking warrior.
Historical accounts
Roman sources occasionally mention women fighting among the Germanic peoples they faced; however, such reports are rare, and Hermann Reichert writes that fighting women were probably exceptional, uncommon cases rather than the norm.[2]
When Leif Erikson's pregnant half-sister Freydís Eiríksdóttir was in Vinland, she is reported to have taken up a sword and, bare-breasted, scared away the attacking Skrælings.[17] The fight is recounted in the Greenland saga, which does not explicitly refer to Freydís as a shield-maiden.[18]
In popular culture
Female warriors inspired by the Norse sagas are portrayed in numerous works of historical and fantasy fiction, including prominently in such works as the 2013 TV series Vikings. The show depicts Lagertha (played by Katheryn Winnick) as the greatest shield maiden in the world.[19] In the TV show Beforeigners Alfhildr Enginnsdottir (played by Krista Kosonen) and Urd (played by Ágústa Eva Erlendsdóttir) are shield maidens, who fought alongside Thorir Hund against Olaf II of Norway. Alfhildr later came to modern day Norway through a time hole and now works as a police inspector.
Explaining the inclusion of a female Viking warrior protagonist in the video game Assassin's Creed Valhalla, the game's historical advisor Thierry Noël said, "The archaeological sources are highly debated on that specific issue. But (...) it was part of [the Norse] conception of the world. Sagas and myths from Norse society are full of tough female characters and warriors. It was part of their idea of the world, that women and men are equally formidable in battle".[20] The game's main character can be a male or female (choice of gender at game start) named Eivor Varinsson/Varinsdottir who is the leader of the Raven Clan alongside their adoptive brother Sigurd Styrbjornsson. However, canonically the character is female and known as Eivor Varinsdottir, a shield-maiden.
^Grammaticus, Saxo (2006-02-11) [early years of the 13th Century CE], Killings, Douglas B. (ed.), The Danish History, Books I–IX [The Nine Books of the Danish History of Saxo Grammaticus] (E-book) (in Latin), translated by Elton, Oliver, New York: Norroena Society (published 1905), retrieved 2020-01-02 – via Project Gutenberg
^McLeod, Shane (2011). "Warriors and women: the sex ratio of Norse migrants to eastern England up to 900 AD". Early Medieval Europe. 19 (3): 332–353. doi:10.1111/j.1468-0254.2011.00323.x. S2CID161848570.
^Young, Helen (2015). Fantasy and Science Fiction Medievalisms: From Isaac Asimov to A Game of Thrones. Cambria Press. p. 55, note 37. ISBN978-1-62196-747-7. The gender-role inversion in Arbo's painting does not last for long: later in the film, Éowyn takes the same position as the shield maiden Hervor in the painting, lying on a field strewn with dead bodies, where her brother, Éomer, finds her. The colors in Arbo's painting are the golds, reds, yellows, and blues found in Rohan in the film, down to the white of the steed that, in the painting, has survived its rider.
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