Matthias Goerne (born 31 March 1967[1]) is a German baritone. He has performed and recorded extensively, both on the opera stage and in Lieder settings. Goerne has been referred to as "Today's leading interpreter of German art songs" by the Chicago Tribune,[2] while the Boston Globe describes him as "one of the greatest singers performing today".[3]
Goerne was born in Weimar.[5] He grew up in a musical environment, his father being a dramaturgist and director of several acting theaters in Dresden.[6] His first instrument was the cello, but he soon switched to singing.[7] At the age of 9 he determined that he wanted to become a professional singer.[6] He sang in the children's choirs of several of his father's theater productions, including Carmen and La Bohème.[8] From the age of 18 to 22 he studied voice in Leipzig under Hans-Joachim Beyer [de].[6] He would later refer to Beyer as being his most important teacher, and as the one who enabled him to start winning competitions.[7] In 1989, he won second prize in the Robert Schumann Competition and first prizes in the Salomon-Lindberg and Hugo Wolf competitions.[9] Two years into his studies, he won a singing competition in West Berlin. The head of the jury, composer and pianist Aribert Reimann, introduced him to Dietrich Fischer-Dieskau, whom Goerne considered his idol and the greatest artist he knew. He was to receive singing lessons from Fischer-Dieskau for 3 years.[6] Next, he studied with Elisabeth Schwarzkopf for two and a half to three years.[6]
From 2001 through 2005, Matthias Goerne taught as an honorary professor of song interpretation at the Robert Schumann Hochschule in Düsseldorf.[5] In 2001, he was appointed an Honorary Member of the Royal Academy of Music in London.[11]
2010s
In the late 2000s to 2014, he recorded a selection of Schubert lieder, The Goerne/Schubert Edition on 12 CDs, for Harmonia Mundi. The final volume, published in December 2014, received the highest rating in BBC Music magazine and a Diapason d'Or. His recording of Hanns Eisler lieder was awarded a Diapason d'Or de l'Année the same year.[12]
Highlights of the 2011/12 season included a tour with the Vienna Philharmonic, appearances at the Vienna State Opera and the Saito Kinen Festival (Bluebeard with Seiji Ozawa) and song recitals with Christoph Eschenbach, and Leif Ove Andsnes in Paris, Vienna and New York (Carnegie Hall).
Goerne has an adopted son[17] born in 1989,[6] and a daughter born in 2000.[6] His first marriage ended in divorce.[6]
He smoked cigarettes "a lot" early in life, but stopped after noting the detrimental effects on his voice.[7]
Goerne is not religious, although he does "have beliefs".[18]
Views on music
Goerne has criticized the modern day relevance of opera productions, going so far as to state that most popular operas should not performed at all anymore because they have become outdated, no longer having "enough substance for the questions posed by our society".[19]
He has expressed a distaste for most contemporary art music from a vocal perspective, claiming that its focus on using the extremes of the voice, "singing very high or very low, very loud or very quietly", is not conducive to the expression of thoughts and feelings. Furthermore, he opines that this style of vocal writing makes pieces "boring and one-dimensional".[15]
Goerne has expressed a preference for working with solo pianists over pianists specialized in accompaniment, citing the former's superior artistic vision and the latter's relative lack of technical proficiency.[19]