Benoît-Constant Coquelin (French pronunciation:[bənwakɔ̃stɑ̃kɔklɛ̃]; 23 January 1841 – 27 January 1909), known as Coquelin aîné ("Coquelin the Elder"), was a French actor, "one of the greatest theatrical figures of the age."[1]
Biography
Coquelin was born in Boulogne-sur-Mer, Pas-de-Calais. He was originally intended to follow his father's trade of baker[1] (he was once called "un boulanger manqué" – "a failed baker" – by a hostile critic), but his love of acting led him to the Conservatoire, where he entered Régnier's class in 1859. He won the first prize for comedy within a year, and made his début on 7 December 1860 at the Comédie-Française as the comic valet, Gros-René, in Molière's Le Dépit amoureux, but his first great success was as Figaro in The Barber of Seville, in the following year.[2] It was an honour for Coquelin to be a part of the Comédie-Française at such a young age. This company had already been in existence for around 150 years.
He was made sociétaire in 1864. There were 21 3⁄4 shares and they were divided among the lead actors, known as sociétaires. The sociétaires co-manage, choose plays, and share profits. When there was an opening caused by retirement, resignation, or death, it was filled by a member of the pensionnaires. And just four years after joining the Comédie-Française, Coquelin became one of the elite sociétaires. During the next twenty-two years he created the leading roles in forty-four new plays at the Comédie Française, including Théodore de Banville's Gringoire (1867), Paul Ferrier's Tabarin (1871), Émile Augier's Paul Forestier (1871), L'Étrangère (1876) by the younger Dumas, Charles Lomon's Jean Dacier (1877), Édouard Pailleron's Le Monde où l'on s'ennuie (1881), Erckmann's and Chatrian'sLes Rantzau (1884).[2]
In consequence of a dispute with the authorities over the question of his right to make provincial tours in France he resigned in 1886. Three years later, however, the breach was healed; and after a successful series of tours in Europe and the United States he rejoined the Comédie-Française as pensionnaire in 1890.[2] During his time away from the Comédie he wrote his book Art and the Actor.
In 1900 Coquelin toured in America with Sarah Bernhardt, appeared at Broadway'sGarden Theatre in a production of Cyrano de Bergerac (Bernhardt played Roxane).[4] He made his only film, the duel scene from Cyrano de Bergerac with sound recording on phonograph cylinder (see also Sound film/Early steps). The film is thought to be the first ever made with both color and sound. On their return to France he continued with his old colleague to appear in L'Aiglon, at the Théâtre Sarah Bernhardt. He was rehearsing for the creation of the title role in Rostand'sChantecler, which he was to produce, when he died suddenly in Paris in 1909.[2]The New York Times printed an obituary, in which it described many tributes to the dead actor, including a visit by the personal secretary of the President of the Republic, Armand Fallières.[1]
Coquelin was an Officier de l'Instruction Publique and of the Legion of Honour. He published:
His brother, Ernest, and his son, Jean, were also actors.
In the 2019 film Cyrano, My Love[5] (original title Edmond) which is adapted from Alexis Michalik's 2016 play Edmond, based around the creation of Cyrano de Bergerac, Coquelin is played by Olivier Gourmet.[6]