Examples of Ionic volutes. From Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce, Paris, 1758 (Plate XX)
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ionic capital, eight on Composite capitals and smaller versions (sometimes called helix) on the Corinthian capital.[1]
The word derives from the Latinvoluta ("scroll"). It has been suggested that the ornament was inspired by the curve of a ram's horns, or perhaps was derived from the natural spiral found in the ovule of a common species of clover native to Greece. Alternatively, it may simply be of geometrical origin.[2]
The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman architect Vitruvius through the study of classical buildings and structures.
Gallery
Ornamentation
This gallery shows volutes in different media, styles, materials and period. Some styles and cultures made them a key motif of their art, like in the case of Ancient Greek or Rococo art, while in other cases, they were used rarely, like in the case of Ancient Egypt. Their use is also influenced by materials and techniques. This is one of the reasons why they are so widespread in wrought iron. They were also fused over time with different other motifs that were fashionable at the time, like acanthuses, which led to the rinceau (sinuous and branching volutes elaborated with leaves and other natural forms), very popular in the Classical world and in movements that take inspiration from it. Many of the Ancient examples shown are now white, grey or beige, but initially they were colorful, the colour disappearing in time because of exposure to elements. All of these Ancient capitals were painted in highly saturated colours, as laboratory tests and Ancient texts show.
The volute is also a basic universal shape, which is why it cannot be associated with only one culture or period. They are just as popular in Oceanic art as they are in Rococo.
Ancient Greek foliage volutes (aka rinceaux) on a capital from the ruins of the Temple of Apollo at Didyma, Turkey, unknown architect or sculptor, c.300-150 BC[7]
Baroque volutes of a cartouche with putti, above a mirror in the bedchamber of the Mecklenburg Apartment, Charlottenburg Palace, Berlin, unknown architect, 17th century
Baroque foliage volutes on a carpet with fame and fortitude, by the Savonnerie manufactory, 1668–1685, knotted and cut wool pile, woven with about 90 knots per square inch, Metropolitan Museum of Art
Baroque volutes on a holy-water stoup with relief of Mary of Egypt, by Giovanni Giardini and Benedetto Luti, c.1702, lapis lazuli, silver, and gilded bronze, Metropolitan Museum of Art
Baroque volutes on a design for a clock from 'Disegni Diversi', by Giovanni Giardini and Maximilian Joseph Limpach, 1714-1750, etching and engraving, Metropolitan Museum of Art
Combinations of Rococo C and S-shaped volutes, by Franz Xaver Habermann, 1731-1775, etching, Rijksmuseum
Combinations of Rococo C and S-shaped volutes, by Franz Xaver Habermann, 1731-1775, etching, Rijksmuseum
Combinations of Rococo C and S-shaped volutes, by Franz Xaver Habermann, 1731-1775, etching, Rijksmuseum
Rococo C and S-shaped volutes on a side table (commode en console), by Bernard II van Risamburgh, c.1755-1760, Japanese lacquer, gilt-bronze mounts and Sarrancolin marble top, Metropolitan Museum of Art
Māori volutes on a canoe sternpost, late 18th-early 19th century, wood and sheel, Musée du Quai Branly, Paris
Neoclassical volutes of a pediment with acroteria of the Grave of Alexandrina Grejdanescu and Barbu Grejdanescu, Bellu Cemetery, Bucharest, Romania, unknown architect or sculptor, c.1871
Rococo Revival volutes on a wall in the George Severeanu Museum, Bucharest, unknown architect, c.1900
Rococo Revival volutes above the door of Avenue Kléber no. 47bis, Paris, unknown architect, 1908[12]
Besides the use for decoration, volutes were also used for the rendering of detailed textures. Many cultures that produced stylized art used geometric patterns for the reproduction of highly detailed textures. The volutes were most often used for hair, an example of this being Ancient Mesopotamian art, where the strands of hair are shown through patterns of volutes.
^Criticos, Mihaela (2009). Art Deco sau Modernismul Bine Temperat - Art Deco or Well-Tempered Modernism (in Romanian and English). SIMETRIA. p. 189. ISBN978-973-1872-03-2.
^Criticos, Mihaela (2009). Art Deco sau Modernismul Bine Temperat - Art Deco or Well-Tempered Modernism (in Romanian and English). SIMETRIA. p. 196. ISBN978-973-1872-03-2.