As a child and into college, Cook desired to be a print cartoonist, but was dissuaded after reading about Jack Kirby's career.[4] While at the junior college, a life drawing teacher gave him the contact information for a former student who went on to work for Hanna-Barbera.[4] He only called once he was already into his career.[4] The student suggested taking an animation class at The Animation Guild.[4]
He is the creator of the Mecha-Nation comic books.[1] It is the first comic book he's worked on.[1]
The Spectacular Spider-Man
I wanted to make sure that this was an iconic Spider-man for the different generations of fans, but I also wanted to bring in a new generation of fans that had a passing interest in it. I also really wanted this to be a two dimensional Spider-man that moved like we've never really seen him move in animation before. I thought Sam Raimi set the bar of how he should move and I haven't seen that in animation.
Cook was called by Sony Entertainment to develop a DVD project about Spider-Man. Cook developed it with Greg Weisman; they wanted to base it on the early comic book publications of the character that showed him younger, which Cook had never seen done before in any adaption. The idea was reformatted to an animated television series, but maintained a similar chronicle style with story arcs whose episodes could still work as standalone stories.[6] The original title for the series was The Amazing Spider-Man, based on the comic series of the same name, but by mid-2007 the name was changed to The Spectacular Spider-Man.[7][8]
Cook wanted the animation to be squash and stretch style, and the action to be as good as the first two Spider-Man films. Sam Raimi directed as they had "set the bar" for the fluid movement for Spider-Man.[6][9] As they were on a specific budget, they wanted to allow the animation to "move" more than anything, giving it simple and stylistic designs.[10] He also looked back on Blood and Iron which had a "fresh, young, look to it" that appealed to him visually. Cook wanted to make an "iconic" Spider-Man for both new and older generations and "really wanted this to be a two dimensional Spider-man that moved like we've never really seen him move in animation before."[6][11]
Personal life
He and his wife Sonia, who is also half-Korean, have been married since the late 1980s.[1][12] They have two children: Hanah and Jackson.[citation needed] His daughter is an animation writer.[13] and, according to Victor's friend and colleague Greg Weisman, served as the inspiration for Artemis Crock in Young Justice.[12]
