User talk:Moisejp/Archive 4Main page appearanceHello! This is a note to let the main editors of this article know that it will be appearing as the main page featured article on January 8, 2011. You can view the TFA blurb at Wikipedia:Today's featured article/January 8, 2011. If you think it is necessary to change the main date, you can request it with the featured article director, Raul654 (talk · contribs). If the previous blurb needs tweaking, you might change it—following the instructions of the suggested formatting. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page so Wikipedia doesn't look bad. :D Thanks! Tbhotch™ and © 20:19, 3 January 2011 (UTC) "Like a Rolling Stone" is a 1965 song by American singer-songwriter Bob Dylan. Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. During a difficult two days pre-production, Dylan struggled to find the essence of the song, which was demoed without success as a waltz. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known. However, Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and were hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached number two in the US charts and became a worldwide hit. The track has been described as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylan's voice, and the directness of the question in the chorus: "How does it feel?". "Like a Rolling Stone" transformed Dylan's career and is today considered one of the most influential compositions in post-war popular music and has since its release been both a music industry and popular culture milestone which elevated Dylan's image to iconic. The song has been covered by numerous artists, including Jimi Hendrix, The Rolling Stones, The Wailers and Green Day. (more...) Happy New YearHi Moisejp, Best wishes for the new year! and thanks for all your excellent work copy editing & cleaning up references which enables Dylan articles to look professional. So we are on the front Page. As you say, every maniac in the universe will no doubt wish to re-write the page & mention their favourite band. Since it is Saturday, I can spend a bit of time dealing with new edits. I changed Marcus's account of LARS at Newport because I cannot believe he has heard the same recording I've heard. I've put it in a footnote, rather than delete, let me know if you have an opinion. Is there something odd about the footnotes on LARS? They used to link thru to the References, but now they don't seem to link. Perhaps I am imagining it? Anyway well done with FAs and GAs and onward and upwards. Mick gold (talk) 19:00, 5 January 2011 (UTC)
PixiesHey, in case you haven't come to the same conclusion already, you can import material from the better-cited Surfer Rosa and Doolittle (album) articles in order to help you revamp Pixies. I've got the Fool the World biography checked out from my library, so I should be able to help out soon. WesleyDodds (talk) 01:20, 9 January 2011 (UTC)
Highway 61 RevisitedI was just thinking the same thing. Mick gold (talk) 15:42, 11 February 2011 (UTC)
Your GA nomination of Highway 61 RevisitedThe article Highway 61 Revisited you nominated as a good article has been placed on hold Basement TapesHi Moisejp, I looked up the "second wave" of Basement Tape bootlegs in Heylin's book Bootleg!. The weird thing is he doesn't mention Robertson. Heylin interviews a bootlegger who says that, after Ten of Swords and Biograph were released in 1985, he was contacted by a man. This man had been a roadie for Dylan & The Band in 1974, and during that tour he'd been given some copies of basement tapes. When the bootlegger played the tapes he realised there were about 25 new songs on the tape, plus some material from The Band & Tiny Tim sessions. They then released this stuff as a bootleg called The Basement Tapes. (I've never seen a copy of that.) So, curiously, that web page you linked has misread the Heylin book. This story is in Bootleg!, Ominibus Press, 2003, pp 149-150. best Mick gold (talk) 11:01, 22 February 2011 (UTC)
Your GA nomination of Santa-Fe (Bob Dylan song)The article Santa-Fe (Bob Dylan song) you nominated as a good article has passed
Your contributed article, John Wesley Harding (song)![]()
Hello, I notice that you recently created a new page, John Wesley Harding (song). First, thank you for your contribution; Wikipedia relies solely on the efforts of volunteers such as you. Unfortunately, the page you created covers a topic on which we already have a page - John Wesley Harding (album). Because of the duplication, your article has been tagged for speedy deletion. Please note that this is not a comment on you personally and we hope you will to continue helping improve Wikipedia. If the topic of the article you created is one that interests you, then perhaps you would like to help out at John Wesley Harding (album) - you might like to discuss new information at the article's talk page. If you think that the article you created should remain separate, you may contest the deletion by adding
Santa-Fe: some thoughtsI looked up "Santa-Fe" in Bob Dylan Lyrics, and it strikes me as a Seussian exercise along the lines of "I Shall Be Free No. 10" from Another Side. One dif is that "I Shall Be Free" is a set of more or less completed vignettes, whereas "Santa-Fe" appears to be a string of non sequiturs. It's apparently akin to Seinfeld, a song about nothing, though the attitude in the singing, which I haven't heard, could lend more to it. I'm curious also about the title. The lyrics book doesn't use a hyphen and neither does Heylin or Bjorner. No big deal, really, as long as it's supported, though the discrepancy might be worth brief mention. Allreet (talk) 17:23, 10 March 2011 (UTC)
Thanks for the detailed reply. I'm happy to hear you're safe and hope all those you know (and many more) are okay as well. My thoughts and prayers. This morning, the focus of U.S. attention has been on Hawaii and California, but that'll shift once the waves subside. I know it's not entirely appropriate at the moment, but I'll mention this anyway. Back in the 1970's, for its annual special, National Lampoon did a parody of local Sunday newspapers that was printed tabloid size but included all the typical sections, from sports to arts & leisures. It was a classic. Every possible foible was milked, but the top joke was the front page headline which referenced how papers localize stories. The headline was something like "Two local women feared dead" with a much smaller subhead: "Japan destroyed". Not funny under the current circumstances, but it's reflective of this morning's coverage, as well as that of the 2004 tsunami in Indonesia, where the focus was on Western tourists. I like tackling some of the lower profile figures and songs, too. Recently I've taken up Gil Turner and Paul Clayton as well as songs like "John Birch" and "Farewell". While sources on minor subjects that go beyond the asides in Dylan bios are often difficult to come by, it's surprising how much can be dug up from the comforts of your living room. Contradicting a "minor" approach is the thought I expressed the other day on the project discussion page. To some degree, project colloborations should be prioritized based on a combination of readership and the state of an article. The View History (tab) > Page view statistics link shows the number of viewers per day. For articles like "Farewell", daily readership might be 10-20, while Blonde on Blonde, which needs a lot of work, averages close to 1,000. On a "quality control", "more bang for your buck" basis, then, it makes sense to focus on the most read in combination with the most in need. As for less significant topics, the record can be continue to be filled in through our individual side efforts. Regarding "Santa-Fe", a parenthetical after an early reference to the title would cover any uncertainties, for example..."Santa-Fe" (also referred to as "Santa Fe" and "Santa Fé"). Regarding the song's meaning or lack thereof, a couple sentences addressing this would suffice. Or possibly, a short para with a general opening statement, followed by the Bauldie-Heylin quotes you mentioned and then part of a verse to illustrate. It shouldn't be too difficult to weave in something like this somewhere. Again, I hope the disaster in Japan turns out to be less horrific than it appears. All the best... Allreet (talk) 17:23, 11 March 2011 (UTC)
Origins of BoBThanks for adding the quote. It ends the section well, plus the transitional sentence I used wasn't needed. To let you know, I had no preconceived idea of where this would go. I just wrote down the theories as I found them. The existing sentence on Jones-Pallenberg was probably the most far-fetched. If this had any weight, then Dylan's imagination was severely challenged. To that I added Echo, next most unlikely candidate, in tandem with a plausible enough possibility, spontaneity. I thought the Trager observation was even stronger, given the profound impact Brecht had on Dylan just a few years before. (Suze worked on the production, and Dylan was so taken by it that 40 years later he bothered to devote 4-5 pages to the subject.) Also, being a compulsive wordsmith, he could not have missed either the initials or the Brecht on Brecht tie at some point early on, whether any of it was intended or not. As for the quote from the Wenner interview, nice find. Classic Dylan: Nothing is revealed, which is where the record stands on most of these issues. That's fine with me. If he were such an easy target, we'd all be nothing more than stenographers, and this wouldn't be half as much fun. Allreet (talk) 14:32, 25 March 2011 (UTC) Playboy interviewThe change in source was not only fine but necessary. I sourced the quote at work and the pdf was the only online source I could find. Then thinking about it on the way home, I realized that the interview was probably in Cott and that the source I used was a poor choice. You saved me the time of making the change. Just the same, the pdf is a jewel, albeit a private one. Every Dylan interview in one doc. If all information were that accessible, we wouldn't need Wikipedia to make it freely available to all. Thanks. Allreet (talk) 22:15, 3 April 2011 (UTC) About BoBGood to hear from you. The work's my pleasure. Balancing the serious with the miscellaneous and enjoying it all. As you said, it has been quiet, though, with just two of us showing up sporadically. While more would be merrier, we'll get there as circumstances allow. About the punctuation, actually your recent cleanup sent me back to WP:MOS for a refresher, a very good thing considering I didn't understand the rules and not good because now I stare down every ." and ". I hope all is well with you and look forward to seeing "Sweet Marie" once can you work her in. Allreet (talk) 22:37, 11 April 2011 (UTC)
Hi, Moisejp! Thanks for moving the Mothers from the lede. The source is Barry Miles, p. 117, which you can cite with confidence (I've already added the Miles bio to the References). Or I'll take care of it tonight tonight, about 5 hrs from now. I'll also respond to or fix the questions posed with your most recent edits. It's a drag our page numbers differ on Heylin's Revolution. On a similar note, do you have Gill's My Back Pages? I'm pretty sure it's the same as The Stories Behind the Songs, and if so, we can drop one of the editions and consolidate the cites if the page numbers match. In the way of a roundup: I'm currently writing an introduction to the song section, about three paras. I also have some angles in mind for the Aftermath/Legacy, for example, BoB closed out Dylan's rock trilogy and was the first of four albums recorded in Nashville, the historic achievement was creating a materpiece on the heels of another masterpiece, how BoB revolutionized the possibilities of rock, and some stuff on the gap that followed and the even longer gap to his next peak, Blood...) Regarding Critical Analysis, at the moment I'm not crazy about straight paragraph form, that is, having to use a narrative for summarizing and juxtaposing comments and would prefer a listing of top critics with the best of their quotes, but I'm not sure if this has been done elsewhere. As for the Background section, frankly I don't see the relevance in rehashing 1965's events to this extent. Gill takes this approach, but he doesn't have the advantage we do of having several articles that already recount Dylan's going electric and gathering the Hawks together. To me, the backdrop is that Dylan had just finished H61R, went into the studio not long after to cut a new hit single, was still trying to develop an on-stage sound with the Hawks, did his previous albums with studio musicians, etc. All of the above is worth discussing - or not - but I thought I'd share what's spinning around while I'm immersing myself in reading and taking notes on what folks have to say about BoB. Cheers. Allreet (talk) 18:42, 1 May 2011 (UTC)
Mi, Moisejp: As I just let Mick know, the past couple months have been overwhelming. I've miss working on BoB very much, but think that what's been contributed in my absence is excellent. Like you, I hope to re-join in September. Looking forward to seeing you then. Allreet (talk) 05:04, 23 August 2011 (UTC) Hi again, and good to hear from you. BoB seems to be shaping up superbly, and the idea of sound clips is yet another improvement. The scholarship, writing and other elements clearly make this a potential shoo-in for GA/FA. The summer blew by and most of my attentions were directed domestically. So I've only briefly had time to peek in, but see some light come shinin'. Now I think it's a matter of motivating myself, this being the sometimes difficult work that it is. Of course, that's the only satisfying kind. See you real soon. Allreet (talk) 19:22, 13 September 2011 (UTC) As always, good to hear from you. And good to hear BoB is nearing completion. Stalled? Hmmm, let's not let that be the case. I've only been popping in now and then, but I'll make a concerted effort to go over the article. Are there specific areas that you feel need attention as being just short of completion? The last time I reviewed it I thought things were in good shape, a few quibbles aside. But I'll make another assessment and do what I can. Thanks for keeping me in mind. Allreet (talk) 15:06, 12 October 2011 (UTC)
BjornerI've just noticed the article you & Allreet have created. Well done! Excellent idea, which hopefully will prevent further grief in the future. Mick gold (talk) 09:34, 17 June 2011 (UTC) A requestHi, Moisejp! I have recently nominated a new article to FAC: Afonso, Prince Imperial of Brazil. Unlike others I nominated before, this one is very short. This, I don't believe it will be a tiresome read. Anyway, I'd very glad if you could take some time to read it and share your thoughts about it. In case you're willing, please go to Wikipedia:Featured article candidates/Afonso, Prince Imperial of Brazil/archive1. Kind regards, --Lecen (talk) 22:10, 19 June 2011 (UTC)
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= Visions of JohannaMoisejp, many thanks for your comments, very helpful and constructive. I'll try to look at the article this week. Mick gold (talk) 12:08, 18 September 2011 (UTC) Community Trolls and Oh-OKThanks I don't know that I can be of value to you (I don't own The Complete Recordings)--whatever information I have is from the Internet, so I can just say check Discogs.com, Allmusic, Christgau's site, and Darren's Magnapop fansite Kick the Dog and You Will Die. That's probably not helpful. I was really surprised at the quality of the Community Trolls article, as there is really pretty little content that they released, but you've covered it quite well--good on you. I'm looking at it now and I would be happy to give you more specific feedback. As an aside, Linda Hopper from Magnapop has told me that Matthew Sweet is just about the nicest guy ever (and she would know, because she is basically the nicest woman ever.) —Justin (koavf)❤T☮C☺M☯ 05:26, 7 October 2011 (UTC)
FadingThanks for your copyedit on Fading. Basically, Man Down was sent to US radio before California King Bed, but CKB already had a digital download release. But, Man Down was also given digital released afterwards, but it was after the date of CKB, so Man Down became the sixth single, and CKB the fifth, when before it was the other way round, as digital download takes presedence over radio release. Calvin • NaNaNaC'mon! 16:18, 13 October 2011 (UTC) Invitation to Vancouver meetupHello, Wikipedian British Columbians are planning a meetup at the Vancouver Public Library, Central Branch, on Sunday, October 16th, as part of the Wikipedia Loves Libraries events. If you wish to attend, please see Wikipedia:Meetup/Vancouver and add your signature to the list. Thank you! InverseHypercube 03:34, 14 October 2011 (UTC) Gill 1998 vs. 2011At Mick's request I checked the Gill cite for the first sentence of "Obviously 5 Believers". The cite is erroneous. Trager is the sole source, correct and complete, so I removed the Gill cite. I also found that Gill 1998 and 2011 cover the same ground, though the page numbers are significantly different. To keep things simple, I replaced all 1998 refs with 2011 refs, with Mick's concurrence. Allreet (talk) 06:59, 14 October 2011 (UTC)
40 WattOkay I just snagged it from the article on the 40 Watt. C'est la vie. —Justin (koavf)❤T☮C☺M☯ 20:59, 15 October 2011 (UTC) VoJHi Moisejp, thanks for your constructive comments on Visions. I'll try to find some time to look at it this week, and try to move forward along the lines you've suggested. Thanx again, Mick gold (talk) 21:49, 16 October 2011 (UTC)
Greetings from down EastBack in Canada? I hope that's a good thing for you. I must say, my wife and I had our best vacation ever in Nova Scotia this past July. More than anything, we enjoyed the people we met and in fact, went out of our way to talk to everyone we could. The second best thing was having a GPS. We could turn off on any road without a worry in the world and that way discover things tourists rarely get to see. Anyway, welcome back to the Western Hemisphere. Talk with you soon...Allreet (talk) 20:37, 17 October 2011 (UTC) Your GA nomination of Blonde on BlondeThe article Blonde on Blonde you nominated as a good article has passed
Re:Connie Talbot's Xmas AlbumThanks for the notes. I promise I will get to it, I'm just finding myself so busy at the moment (I lost a FAC because I couldn't respond just yesterday). If you feel I'm taking too long and you need to fail it, then so be it- you're the reviewer. J Milburn (talk) 22:02, 30 October 2011 (UTC) Your GA nomination of Visions of JohannaThe article Visions of Johanna you nominated as a good article has been placed on hold
Re:Connie Talbot's Holiday Magic PassedThanks very much for your efforts! I'll be sending the four articles (Connie Talbot, Over the Rainbow (Connie Talbot album), Connie Talbot's Christmas Album and Connie Talbot's Holiday Magic) to featured topic candidates soon- it'll be my first attempt at something there. J Milburn (talk) 17:07, 10 November 2011 (UTC) A barnstar for you!
No problems, I'm really happy about awarding barnstars to editors who deserve them. Please spread the love. --Sp33dyphil © • © 06:57, 19 November 2011 (UTC)
GA reviewCan you see if more work is needed on Cliff Williams? igordebraga ≠ 23:16, 16 November 2011 (UTC) Bob Dylan articleHi Moisejp, I would be interested in your opinion on this question. Mick gold (talk) 15:13, 24 November 2011 (UTC) ReI appreciate what you are saying, but some of what you said simply is not the case. I don't go around thinking that Wikipedia owes me GAs and FAs (I haven't even got an FA), I work really hard on Rihanna articles and work hard to maintain them. I don't do it for number of GAs, if I did then all Rihanna articles would GA by now. I just like to make sure that her articles are the best they can be. And with me, I react as soon as I read something and don't take time to think about it and say how I feel right away, that's not your fault. And I know you probably don't care, but I have had a real bad couple of days, and it just took me by surprise when I saw what you had written. Calvin • Watch n' Learn 17:49, 1 December 2011 (UTC)
Your GA nomination of Community TrollsThe article Community Trolls you nominated as a good article has passed CongratsGood job on Community Trolls. —Justin (koavf)❤T☮C☺M☯ 05:38, 4 December 2011 (UTC) = GA Medal
Re: concernThat's a tough one. His review didn't seem terrible, since it was not a blanket pass at least. Having said that, I see a few major issues myself on a look through the article, and a GAR might be best. As for the reviewer himself, you might want to poke one of the coordinators of the GA drive going on now and have his reviews vetted. Usually I'm good to go on that but I'm working on a very tight schedule as is. Wizardman Operation Big Bear 05:09, 5 December 2011 (UTC) Oh Father GANHello Moise, how are you doing? I have addressed your concerns at the "Oh Father" GA page. Will you please take a look in your time? — Legolas (talk2me) 14:25, 7 December 2011 (UTC)
Dylan's "Don't Think Twice"Hi, Moisejp. I'd appreciate if you'd take a look at a recent addition to Dylan's "Don't Think Twice, It's Alright". The issue is a new section that includes two paragraphs and a photo of the artist of a cover version that's scheduled for release in January. I removed the material as unnotable, though both the artist and planned compilation certainly are. It's just that most of the added material is about the cover artist and what a big influence Dylan has been on her. My opinion is that this information is trivial and is being given undue weight; in effect, it lends nothing to an understanding of the article's subject, the original song. BTW, I removed the material based on notability, and the author, an avid fan of the cover artist, reinstatated it. I don't want to get into an edit war, so I'm asking other editors to chime in. Hope all is well. Thanks. Allreet (talk) 16:04, 11 December 2011 (UTC) FAC Blonde on Blonde; spotcheck requires attentionDear editor, I spotchecked Blonde on Blonde, and the FAC requires attention regarding the spotcheck. Fifelfoo (talk) 00:20, 12 December 2011 (UTC) Blonde on Blonde reviewI wasn't aware the FAC review of BoB was underway until yesterday when I saw the request for input from Fifelfoo. I'll gladly help where I can, though I'm not sure exactly where to dive in at this point. Let me know if there's any digging or whatever that needs to be done. I noticed Fifelfoo's point about Trager and Marqusee on BoB closing out the trilogy. The two sentences in question are:
I checked Trager, and what he says is "The two-disc release...closed Dylan's mid-1960s rock 'n roll trilogy", followed a few paragraphs later with "It's the jewel in the crown of Dylan's early electric rock 'n roll period". I couldn't find anything similar in Marqusee,though I only did a quick browse through using the index, and further believe the page number cited is incorrect, unless there's an edition conflict (Fifelfoo says 138 but that's probably a typo on his part). Shelton comes closer with "Blonde is a particularly high achievement, a hallmark collection that completes his first major rock cycle, which began with Back Home (No Direction, p. 320, 1986 edition). However, I have seen the actual quote, but wasn't able to find it tonight. To this, I'll add that it's not likely two critics said exactly the same thing: "perhaps Dylan's greatest achievement". I'd suggest rewriting these two sentences around Trager and Shelton (if his quote isn't used elsewhere), and if the original quote can be found, weaving that in, too. The easier alternative would be to simply cut the material, but I think the triology and high achievement points are important. Allreet (talk) 07:35, 12 December 2011 (UTC) Tute![]() You can remove this notice at any time by removing the {{Talkback}} or {{Tb}} template. (on an unrelated note to Tute, great work on the Bob Dylan related articles!)--GDuwenTell me! 19:54, 12 December 2011 (UTC) No problem, take your time. Sometimes you get days like those, when you're free again we keep working.--GDuwenTell me! 15:34, 13 December 2011 (UTC)
Could you please give a Tute article another glance? I hope the scoring section is more intelligible now. — Dmitrij D. Czarkoff (talk) 20:56, 12 January 2012 (UTC) AskHi. Jivesh here. How are you? Thanks for everything you have done so far at the FAC. Hey, do you know how to reduce the quality of am music sample? Jivesh1205 (Talk) 06:47, 20 December 2011 (UTC)
LAP 2 strikes againHey Moise. How are you doing? Just wanted to check by if you are getting time to look into "Like a Prayer". I know you are engaged with the Blonde on Blonde FAC, hence I can't pressurize at all. :) — Legolas (talk2me) 13:59, 20 December 2011 (UTC)
My Sincere Wishes For This Festive Season
My Heartfelt ThanksI express you my heartfelt thanks. ""Single Ladies (Put a Ring on It)" has passed. I am very happy. Your feedback and kind words helped me considerably. Thanks again. Jivesh1205 (Talk) 11:17, 24 December 2011 (UTC)
A brownie for you!
Merry Christmas!Hi Moisejp, lots of Christmas cheer to you and greetings for the new year and hopefully further Bob collaborations. Best Mick gold (talk) 23:57, 25 December 2011 (UTC)
HaloHi. Everything is going fine. Thanks for asking. :)) Yes, "Halo" is the next on my list. Yes, I wanted you to look at one section only. I don't want to bother you too much. Lol. Well, honestly I prefer you take a look at it soonest you can because I think I will not be very active after January. I have finished high school and I will start working till I get admission in a university. But listen, I will totally understand if you have to look at the other GAs/FAs first. :D Jivesh1205 (Talk) 05:28, 26 December 2011 (UTC)
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