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Rufus Segar

Rufus Segar
Born(1932-08-28)28 August 1932
Ipswich, Suffolk, England
Died7 May 2015(2015-05-07) (aged 82)
Education
Occupations
  • Illustrator
  • Graphic designer
Notable workAnarchy (1961–1970)
MovementAnarchism
SpouseSheila Bullard

Rufus Segar (28 August 1932 – 7 May 2015) was a British anarchist, illustrator and graphic designer who was best known for his designs of the monthly Anarchy magazine throughout the 1960s. He and his wife, Sheila Bullard, were life-long anarchists.[1]

Early life

Segar was born in Ipswich, Suffolk, the second son of Eric and Ethel (née Bomber). His father was a member of the The Magic Circle. Segar's son, Rupert, described his grandfather as a pharmacist.[2] Segar described him as an "an itinerant pharmacist".[3][4] Segar's family moved a lot during his childhood, "setting up various ill-starred business ventures".[2] Initially they moved to Walsall in 1936, to Bilston in 1938 and to Bristol in 1939. Then, in 1946 they moved to Colwyn Bay in North Wales, and two years later they moved fourteen miles along the coast to Prestatyn.

Segar recalled that, at least the age of ten or twelve years old, he was convinced that he wanted to become a cartoonist.[4] He initially attended Rhyl Grammar School, where he took an A-level in mathematics and then attended St Asaph Grammar School (which later became Ysgol Glan Clwyd), where he took an A-level in art. While he was taking his A-level in art, his teacher led him to enrol on a four-year course in the Liverpool College of Art[4], which he did in 1949.[3] The course was split into halves. For the second half, students were asked to choose a discipline of applied art from about eight options. The tutors told him to elect for illustration, which he did.

While Segar was a student, he moved into an anarchist collective in Upper Parliament Street, where he met Sheila Bullard, who he later married. One of the residents was Harold Sculthorpe, who was employed as the clinical analysis laboratory of a hospital in Liverpool[5] and who started the Liverpool Anarchist Group.[6] Sculthorpe subsequently wrote the 1993 book Freedom to Roam, which was published by Freedom Press.[7]

Work in the private sector

Segar graduated in 1953, after which the members of the collective moved to London.[5] He initially got a job in a cardboard box factory, Hunt Partners in Clapton. Then he began working as an assistant designer in advertising for Horatio Myer & Co Ltd in Vauxhall. Three years later he got a job in SH Benson in Kingsway, which he described as "a top rank advertising agency".[8] However, he recalled: "You're nowhere, just an assistant in the system. I watched that for three years, just seeing how it worked, then I said, 'It's not for me.'"[8]

In 1955 Segar was imprisoned for three months for refusing to perform National Service.[2] In 1961, he was still working for SH Benson. And he also worked freelance, illustrating books. However, from 1964 to 1982, he worked freelance for the Economist Intelligence Unit, as a designer[9] or an illustrator and graphic designer[2].

Designing the covers for Anarchy magazine

In May 1961, Segar began to design the covers for Anarchy,[10] which Colin Ward had started, in Segar's words, "as a foil to Freedom".[6][11] From Issue Six onwards, Segar became the magazine's resident art director.[6] Ward gave him significant freedom in his design of each issue, albeit while working to a tight deadline. Anarchist author David Goodway described Segar's series of covers for Anarchy as 'superb'.[12] However, in Issue 107 (January 1970) of the magazine, Segar described its production process in less flattering terms:

The way the magazine is put together is comic, awful, and, for a journal of dissent, too vulnerable. The words are assembled by the editor and sent to a [sic] trade typesetters in Stepney. The proofs are made up into a dummy in Putney. The metal type for titles is made up in Whitechapel. The picture for the cover is made in St. James's and sent to a blockmaker in Clerkenwell. The block is sent to a printer in Bishopsgate who prints the covers. The insides and the covers are collected together and taken to a binders in Fulham who folds the insides, stitches on the covers and trims the copies. The magazines are sent to Whitechapel for dispatch. Sometimes you get your magazine late. The process is Victorian…[13]

Colin Ward relayed this description of the production process of Anarchy to British historian David Goodway as "a tour of inner London and its suburbs".[14]

Segar recalled that Colin Ward lost interest in the magazine when he got to Volume Ten.[15] In Segar's words, "a new lot' took over, after which he 'lost patience with it".[15] Moreover he told them "Well, obviously you can do what you like inside, and now you can do what you want on the cover", with which he dropped it because he "just wasn't interested anymore".[16]

In 2012, independent graphic designer Daniel Poyner edited the art book Autonomy the cover designs of Anarchy 1961-1970 which reproduces all of the cover designs of Anarchy. In his contribution to the book, graphic designer Richard Hollis observed:

'Seen against a background of an emerging domination of the image in commercial media and rapid changes in technology, Anarchy's covers stand out as a significant record of the early years of graphic design in Britain.'[17]

In January 2013, design critic Rick Poynor, reviewed the book in the magazine Creative Review. He observed:

'What the book sets out to do, and it succeeds magnificently without visual or verbal hyperbole, is to enrich and add nuance to our understanding of a 1960s graphic landscape we might think we know inside out by acquainting us with unfamiliar work that provided an important forward-thinking publication with its public face.'[18]

Also in 2013, the book was shortlisted for the Bread and Roses Award.

Retirement

Segar initially retired with his wife to Saltwood in Kent, where they lived in the 1990s. While they were living there, they became friends with Mike Umbers, the editor of the newsletter of the nearby Hythe Civic Society, and his wife. Seger worked voluntarily as an illustrator for the Society. Umbers (2023) submitted his article Memories of my time as newsletter editor to the Society's newsletter. He recalled in his article: "Working with [Segar] over the years we and our families became friends; he was an entertaining conversationalist and we enjoyed supper and garden parties, setting the world to rights together."[19] Also in his article, he cited Segar's production of a (39-page card book) Remember Hythe The High Street 1902-1992 for the Society and he described his contributions of the extremely detailed designs of the covers for its newsletter, several of which are illustrated.[20]

Around 1999,[21] Segar later moved to Pershore in Worcestershire to be near his children and grandchildren.[19] In 2001 he collaborated with anarchist Donald Rooum on an orbituary of anarchist psychologist Tony Gibson.[22] In 2012 author David Goodway acknowledged Segar's help in producing the new edition of his book Anarchist Seeds Beneath the Snow.[23]

Segar died on 7 May 2015 at the age of 82, after a fall at home.[21]

Notes

  1. ^ Poyner 2012a, p. 280.
  2. ^ a b c d Segar 2015.
  3. ^ a b Dunn & MacPhee 2010, p. 119.
  4. ^ a b c Poyner 2012a, p. 263.
  5. ^ a b Poyner 2012a, p. 265.
  6. ^ a b c Dunn & MacPhee 2010, p. 121.
  7. ^ Sculthorpe 1993.
  8. ^ a b Dunn & MacPhee 2010, p. 120.
  9. ^ Poyner 2012b, p. 15.
  10. ^ See the contents of Anarchy #3 (May 1961).
  11. ^ Goodway 2012, p. 312 observed that Colin Ward urged the case to his fellow editors for a 'more reflective' Freedom, to which they eventually responded 'by giving him his head with the monthly Anarchy from March 1961'.
  12. ^ Goodway 2012, p. 312.
  13. ^ Segar 1970.
  14. ^ Ward & Goodway 2014, p. 67.
  15. ^ a b Dunn & MacPhee 2010, p. 136.
  16. ^ Dunn & MacPhee 2010, pp. 140–141.
  17. ^ Hollis 2012, p. 292.
  18. ^ Quoted in Autonomy in Creative Review.
  19. ^ a b Umbers 2023.
  20. ^ Umbers also disclosed his complete surprise upon discovering that Segar was an anarchist, which he never mentioned, particularly because Umbers recalled that he had 'worn the Queen’s uniform for 39 years'.
  21. ^ a b Johnson 2015.
  22. ^ Rooum and Segar 2001.
  23. ^ Goodway 2012, p. xii.

References

Further reading

  • Samuel, Raphael (2012). "Utopian sociology". In Poyner, Daniel (ed.). Autonomy the cover designs of Anarchy 1961-1970. London: Hyphen Press. ISBN 978-0-907259-46-6.
  • Ward, Colin (1969). "A hundred issues of Anarchy" (PDF). Freedom. 30 (20). Retrieved 25 September 2025.

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