Interval signal

$% https://www.intervalsignals.net/sounds/ukg-bbcws_b_interval_signal_170701.mp3 << \new Staff="bbc"<< {b'2 2 c''1}\\ \magnifyMusic 0.7{<g' d'>2 2 <g' e'>1} >> \new Lyrics \with{alignAboveContext="bbc"} \lyricsto "1"{B -- B -- C} >> \midi{\tempo 4=106 \set Staff.midiInstrument = "electric piano 1"}$

Historical interval signal of the BBC

RAVAG interval signal, clock ticking 270/min (9 in 2 sec)

An interval signal, or tuning signal, is a characteristic sound or musical phrase used in international broadcasting, numbers stations, and by some domestic broadcasters, played before commencement or during breaks in transmission, but most commonly between programs in different languages.

It serves several purposes:

It helps a listener using a radio with an analog tuner to find the correct frequency.
It informs other stations that the frequency is in use.
It serves as a station identifier even if the language used in the subsequent broadcast is not one the listener understands.

The practice began in Europe in the 1920s and 1930s and was carried over into shortwave broadcasts. The use of interval signals has declined with the advent of digital tuning systems, but has not vanished. Interval signals were not required on commercial channels in the United States, where jingles were used as identification.

List of interval signals by station

Rádio Nacional de Angola:

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/agl-rna_international_200216.mp3 #(define angola (alist->hash-table '( (hiconga () #f 5) (loconga () #f 3) (chinesecymbal cross #f -3) (vibraslap triangle #f -3) (cabasa cross #f -5)))) main = \new DrumStaff<<\drummode{ \stopStaff \override Staff.StaffSymbol.line-positions = #'(-4 4) \startStaff \set DrumStaff.drumStyleTable = #angola \time 12/8 \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl cgh8 8 cgl cgh r \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl8 8 8 8 \grace{16} 8 8 \repeat volta 4{ cgl8 cgh r cgh cgl \grace{cgl16} 8 8 r cgl8 8 \grace{16} 8 8 } }\\ \drummode{ s1. s2. r4. r8 cymch4 \repeat volta 4{r8 cab4 4. r4. r8 vibs4} }>> \score{\main \layout{indent=#0 line-width=#120 \context{\DrumStaff \magnifyStaff 0.7} } } \score{\unfoldRepeats \main \midi{\tempo 4.=118}}$

Rádio Nacional de Angola

Radiodifusión Argentina al Exterior: First eight notes of "Mi Buenos Aires querido" by Carlos Gardel, followed by people saying the station's name in eight languages.

$\relative{ \key d \minor \time 3/4 f''2 e8 d f2 e8 d f2 d4~ \hideNotes 2 } \midi{\tempo 4=84 \set Staff.midiInstrument = "electric piano 1"}$

Radiodifusión Argentina al Exterior

Bangladesh Betar: A tune composed by Samar Das.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bgd-rb_mymensingh_220424.mp3 main = \relative{ \set Staff.midiInstrument = "violin" \key bes \major \time 3/4 \grace{s16} s4 s \grace{g'16 f es} f4 d'2. bes8 c d bes c d bes4 f'2 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.7 \key bes \minor \clef bass \grace{s16\sustainOn} \repeat unfold 4{\tuplet 5/3{f,4 bes,, bes, f f}} s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 60} }$

Interval signal for Radio Bangladesh

Radio Belarus: "Motherland, my dear" (Belarusian: be:Радзіма мая дарагая, Russian: Родина моя дорогая) by Vladimir Olovnikov [ru; be] and Ales Bachyla.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/blr-radio_station_belarus_160906.mp3 #(define mydrums (alist->hash-table '( (hiconga () #f 0) (mutehiconga cross #f 0) (loconga () #f -1) (cabasa triangle #f 1)))) common = {\key d \major \partial 8} main = \relative{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.6 \clef "treble^(8)" \common a''8 4 fis4 r8 d b' a16 g a4 fis4~ \hideNotes 4 } acco = << \new Staff{ \set Staff.midiInstrument = "pad 3 (polysynth)" \set midiMaximumVolume = #0.5 \common r8 <a d'~ fis'>2. 4 <a d' fis'>2. } \new Staff \relative{ { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #0.7 \common \tuplet 6/4{cis'64 d e fis g a b cis d e fis g} } \new Voice{ \set Staff.midiInstrument = "electric piano 1" \set midiMaximumVolume = #0.5 a,16 fis d a d a' d, e' d a fis d a fis' d a } \new Voice{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.4 <d' d'>4 <e a>4~ <e a>16 \tuplet 3/2{<d g>32 <cis fis> } <a d>8 } } \drums { \stopStaff \override Staff.StaffSymbol.line-positions = #'(0) \startStaff \set DrumStaff.drumStyleTable = #mydrums \common r8 cab8 cghm16 cgh cgl8 cab16 cghm cab cghm16 16 16 cab cghm8 cgh16 cgh8 cghm16 16 cab8 cghm16 16 cab8 16 cgh cgl8 } >> \score{\main} \score{<<\main \acco>> \midi{\tempo 4 = 66}}$

Radio Belarus

Rádio Brasil Internacional: Xylophone version of "Brazilian Flag Anthem" (Brazilian Portuguese: Hino à Bandeira Nacional) by Francisco Braga and Olavo Bilac.^{[citation needed]}
Radio Bulgaria:

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bul-z-radio_sofia_1964.mp3 % http://my.reset.jp/~fairuzyy/bulgaria.rm main = \relative{ \set Staff.midiInstrument = "oboe" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \key as \major \time 2/4 \omit Script c'''4.-_ bes8-. as8.-_ g16 as8-. f-. es4.-_ f8-. es2 } acco = \relative{ \set Staff.midiInstrument = "clarinet" \set Staff.midiMaximumVolume = #0.6 \key as \major << {<es'' es,>4. es8 <f f,>8. <es g,>16 <des as>8-. <bes g>-. <c as>8. bes16 as8-. <des es,>8-. <c as>2} \\ {as,4 c des8. es16 f8-. des-. c4. es8-. as,2} >> s8 } \score{\main} \score{ << \main \new Staff \acco >> \midi {\tempo 4 = 76} }$

Radio Sofia

Radio Burkina:

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/bfa-radio_burkina_100812.mp3 #(define mydrums (alist->hash-table '( (hihat cross #f 5) (openhihat xcircle #f 5) (snare () #f 1) (sidestick cross #f 1) (mutehiconga diamond #f -1) (hiconga diamond #f -2) (loconga diamond #f -3) (bassdrum () #f -5)))) common = {\key c \minor \time 12/8} main = \relative{ \set Staff.midiInstrument = "flute" \set Staff.midiMaximumVolume = #0.9 \clef "treble^(8)" \common \repeat volta 2{ <<{ es''8 8 8 8 f r r g, c es g, g f'4 es c r8 g c es g f }\\ \magnifyMusic 0.6{ \set midiMaximumVolume = #0.6 bes,8 8 8 8 c s s4. s4. c4 bes g s4. s4. }\\ \magnifyMusic 0.6{ \set midiMaximumVolume = #0.6 g''8 g g g as s s4. s4. g4 f es s4. s4. }>> } } acco = << \new Staff \relative{ \set Staff.midiInstrument = "marimba" \set Staff.midiMaximumVolume = #0.8 \common \repeat volta 2{ <c'' c,>4 <es es,> <f f,> r8 es f f <f es,> <f es,> <c c,>4 <es es,> <g g, c,> r8 es g g <g es,> <g es,> } } \drums{ \set DrumStaff.drumStyleTable = #mydrums \set Staff.midiMaximumVolume = #0.8 \repeat volta 2{ \repeat percent 2{ << {ss8 8 8 hho <hh sn> hh ss8 8 8 8 sn ss}\\ {bd4 8 4. r4 bd8 4.}\\ {\shiftOff \hide Stem s4 cgl8 8 cgh8 8 s cghm4 4 s8} >> }} } >> \score{\main \layout{indent=#0 line-width=#120 }} \score{\unfoldRepeats <<\main \acco>> \midi{\tempo 4.=115}}$

Radio Burkina

China:

China National Radio and China Radio International: Chime version of March of the Volunteers (义勇军进行曲).

${ % https://www.intervalsignals.net/sounds/chn-cnr2_140311.mp3 \clef "treble^(8)" \key d \major \set Staff.midiInstrument = "vibraphone" d''4.\omit\sustainOn fis''8 a''4 4 b''2 <a'' fis''> } \midi{\tempo 4 = 114}$

China National Radio

$% https://www.intervalsignals.net/sounds/chn-cri_070104.mp3 \relative<< {\key g \major g'4. b8 d4 d e2 d s8_"//"}\\ {d,2 g b b} >> \midi{\tempo 4=90 \set Staff.midiInstrument = "vibraphone"}$

China Radio International

CRI Indonesian Radio (and Radio Peking, predecessor of China Radio International): 东方红 ("The East Is Red").

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/chn-z-radio_peking_cm_c1980.mp3 % https://www.youtube.com/watch?v=NEqwR2cHJ-Y&t=6m03s#2024 common = {\key g \major \time 2/4} main = \relative{ \clef "treble^(8)" \common d'''4 d8 e a,2 g4 8 e a2 s4_"//" } acco = { \clef treble \common g'2 <d' fis''> <b' e''> <d' fis''> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=45 \set Staff.midiInstrument = "celesta"} }$

CRI Indonesian

Voice of the Strait News Radio: Bell version of "Three Rules of Discipline and Eight Points for Attention" (三大纪律八项注意).

$% https://www.intervalsignals.net/sounds/chn-vos_news_301113.mp3 { \clef "treble_(8)" \key b \major \set Staff.midiInstrument = "vibraphone" fis2.\omit\sustainOn gis4 b2 b gis4 b gis e fis1 } \midi{\tempo 4=68}$

Interval signal for Voice of the Strait

Radio Habana Cuba: Refrain of "March of the 26th of July" (es:La Marcha del 26 de Julio) by Agustín Díaz Cartaya.

$% https://www.intervalsignals.net/sounds/cub-radio_havana_070907.mp3 \relative{ \set Staff.midiInstrument = "music box" \clef "treble^(8)" \key g \major \partial 4 d''8. d16 b'4 g2 d'4 e b2 } \addlyrics {A -- de -- lan -- te cu -- ba -- nos} \addlyrics {lim -- pi -- an -- do con fue -- go} \midi{\tempo 4=57}$

Radio Habana Cuba

DR P1: "Drømte mig en drøm i nat", played on metallophone.^[1]

$% https://www.intervalsignals.net/sounds/dnk-dr_243kHz_290817.mp3 \relative{ \set Staff.midiInstrument = "vibraphone" \clef "treble^(8)" \key d \minor \time 3/4 f''2 a4 g2 a4 f2 e4 d2 f4 a2 4 2 f4 d2. } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=80}$

Interval signal for DR P1

Radio Ethiopia:

$% https://www.intervalsignals.net/sounds/eth-ebc_national_amharic_060914.mp3 \relative{ \set Staff.midiInstrument = "kalimba" \set Staff.midiMaximumVolume = #1.1 \key d \major \time 12/8 << {e''8 r e r e e fis16 e d e d8~ 4. d8 r d r d8 8 fis16 e d e d8~ 4.}\\ {e,8 r e r e e8~ 4. b16 d e fis a b d,8 r d r d d8~ 4. b16 d e fis a b} >> } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8}} \midi{\tempo 4.=80}$

Radio Ethiopia

Radio France Internationale: Electronic-disco, culminating in the last 8 measures of "La Marseillaise".

$\header{tagline=##f} % https://youtu.be/t2Kj3haNb-M?t=2m24s main = \relative{ \set Staff.midiInstrument = "synthbrass 1" \set midiMaximumVolume = #0.55 a'1 cis d4. e fis4 b,2. fis'4 e2~ 8 cis d b a1 s8_"//" } acco = << \new Staff \relative{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.25 \clef "treble^(8)" \repeat percent 6{e'''16 e e e e,8 e'16 e, e' e, e'8 e, e} } \new Staff{ \set Staff.midiInstrument = "synthbrass 2" \set Staff.midiMaximumVolume = #0.4 \clef bass <<{<d' a>1~ 1~ 1~ 1~ 1~ 1}\\{g1~ 1 fis1~ 1 g1~ 1}>> } \new Staff \relative{ \set Staff.midiInstrument = "slap bass 2" \set midiMaximumVolume = #0.7 \clef "bass_(8)" \repeat percent 3{a,,4 a'8-. r r4 r8 g,8 a4 a'8-. g,8 r g a'-. a,-.} } \drums{ \repeat percent 6{<<{hh8 8 sn hh8 8 8 sn hh}\\{bd4 4 8 8 r bd8}>>} } >> \score{\main} \score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=122}}$

Radio France Internationale

Deutsche Welle: "Es sucht der Bruder seine Brüder" from Fidelio by Ludwig van Beethoven.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ger-dw_1999.mp3 main = \relative{\partial 4 g''4 4. e8 g f d g a8. g16 2 \fermata} acco = {\partial 4 s4 <c'~ e' c''>2 <c'~ f' b'> <c' e' c''\fermata>2.} \score{ << \new Staff="Fernando"<<\main \\ \acco>> \new Lyrics \with{alignAboveContext="Fernando"} \lyricsto "1"{Es sucht der Bru -- der sei -- ne Brü -- _ der} >> } \score{ << <<\main \\ \acco>> \new Staff{ \set Staff.midiInstrument = "celesta" \transpose c c' \main } >> \midi{\tempo 4=66} }$

Interval signal for Deutsche Welle

Voice of Greece: "The Little Shepherd" (el:Ο Τσομπανάκος), played on floghera.^[2]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/grc-era_chania_101014.mp3 main = \relative{ \cadenzaOn \time 2/2 \key g \minor g'4 g \bar "|" d' d d d \bar "|" \tag #'mA { f16\trill[( e d8])~ d2.*4/3\fermata s4 \bar "|" cis4\trill bes4 cis4\trill bes4 } \tag #'mB { \tuplet 6/4{f'16 g f e d8~} d2.*4/3\fermata s4 \bar "|" \tuplet 11/8{\repeat unfold 5{cis32*13/11 d} cis} bes4*9/11 \tuplet 9/8{\repeat unfold 4{cis32 d} cis} bes4 } \bar "|" g4 4 2*3\fermata s8 } \score{\keepWithTag #'mA \main \addlyrics{Tso -- pa -- na -- kos i -- mou -- na __} } \score{\keepWithTag #'mB \main \midi{\tempo 2=60 \set Staff.midiInstrument = "flute"} }$

Interval signal for Voice of Greece

All India Radio: A tune composed by Walter Kaufmann or Thakur Balwant Singh, used since 1936.^[3]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ind-z-air_external_rvd_c1965.mp3 common = {\key fis \minor} main = \relative{ \set Staff.midiInstrument = "violin" \common \grace{s8} s2 s4 s8. a''32 gis a2.~ 8 gis16 fis dis2.~ 16 gis fis dis cis4~ 16 dis fis dis cis2~ 1 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.6 \common \clef bass \grace{s8\sustainOn} \repeat unfold 5{fis,4 cis fis cis} s8\sustainOff } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=91}}$

Interval signal for All India Radio

Indonesia
- RRI Programa 3: Ending bars of "Solace on Coconut Island" (Rayuan Pulau Kelapa), composed by Ismail Marzuki.

$\header{tagline=##f} % 0:12 https://www.intervalsignals.net/sounds/ins-rri_pro3_300725.mp3 common = {\key b \major \partial 2} main = \relative{ \clef "treble^(8)" \common dis''4 fis e4. fis8 ais2~ 2 e4 fis dis4. fis8 b2~ 2 s8_"//" } acco = \relative{ \set Staff.midiMaximumVolume = #0.7 \clef bass \common \voices 1,4,2<< {a'2 gis4. fis8 e4. fis8 ais2. fis4 g4. fis8 dis4. fis8 b2}\\ {bis,4 dis cis4. dis8 cis2 e2 cis8 b ais cis b1 dis2}\\ {bis,2 cis2 fis,2~ 1 b1~ 2} >> } \score{\main \addlyrics{Me -- lam -- bai lam -- bai}} \score{ <<\main \new Staff \acco>> \midi{\tempo 4=70 \set Staff.midiInstrument = "string ensemble 1"} }$

RRI Programa 3

- RRI Voice of Indonesia: "Feeling of Love" (Rasa Sayang).^{[citation needed]}
RTÉ Radio 1: 2nd segment of "O'Donnell Forever" (O'Donnell Abú).^[4]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/irl-rte1_240308.mp3 main = \relative{ \clef "treble^(8)" \time 2/4 c''4 e8. f16 g4 g8. g16 e'4 c8. a16 g4 f8 e d4 d'8. c16 b8 g a b c4 c8. d16 c4 r } acco = \relative{ \set midiMaximumVolume = #0.5 \clef "treble^(8)" r1 \grace{c''16\sustainOn g'}g'4 r\sustainOff r2 \grace{a,16\sustainOn d}f4 r\sustainOff \grace{g,,16\sustainOn g' d'}g4 r\sustainOff <c,,~ g' e'> <c a' f'> <g' e'> r } \score{\main \addlyrics{Fleet -- ly the steed} \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8} \context{\Lyrics fontSize = #-3 } } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=100 \set Staff.midiInstrument = "celesta"} }$

RTÉ Radio 1

NHK Radio Japan: "KazoeUta (Hitotsu to ya)" (数え歌, counting-out game).

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/jap-radio_japan_280502.mp3 common = {\key e \minor} main = \relative{ \clef "treble^(8)" \common g''4 g b g b2 c4 b e e c c b b g b c c b g fis1 s4_"//" } acco = \relative{ \set Staff.midiMaximumVolume = #0.6 \common r8 b' c b g a b4 r8 g b c a e fis g <<{ b e fis g a e fis e e fis g fis e4 e8 fis g a e fis g4 r8 e dis2 \tuplet 3/2 4{e8 fis a c e fis} }\\{ r2 a,, g r8 e g4 a2 b b,8 fis' b c r2 }>> } \score{\main \addlyrics{Hi -- to -- tsu to ya - -} \layout{indent=#0 line-width=#120 } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=108 \set Staff.midiInstrument = "celesta"} }$

NHK Radio Japan

Radio Nikkei: Kan Ishii

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/jap-radionikkei1_010909.mp3 main = \relative{ \cadenzaOn \key d \minor \omit Score.TimeSignature \set Staff.midiInstrument = "tubular bells" d''2 c d a1*7/4\fermata f'4 d d c c d a1*7/4\fermata s8_"//" } acco = \relative{ \clef "treble_(8)" \key d \minor \set Staff.midiInstrument = "koto" \set midiMaximumVolume = #0.6 s2\sustainOn s s \scaleDurations 25/26 {f16*4/5[ a, c d f a c d f16 a c8]} d1*9/8 s2\sustainOff\sustainOn s s \scaleDurations 6/5 {f16*2/3[ d c a f d c16 a f d c8]} a1 } \score{\main} \score{ << \new Staff \main \new Staff \acco >> \midi{\tempo 4 = 100} }$

Radio Nikkei

Radio Nepal: A tune composed by Ustad Govinda Lal Nepali.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/npl-radio_nepal_100214.mp3#Radio Nepal common = {\key e \major} main = \relative{ \set Staff.midiInstrument = "violin" \set midiMaximumVolume = #0.9 \common \grace{b8}gis2~ 8 \grace{\once\stemDown cis}b \tuplet 3/2{cis e fis} gis fis16 gis b8 gis16 b cis4. b16 gis e8 \grace{\once\stemDown fis}gis4.~ 8 a16*3/2 gis fis4*3/4 \grace{b,8} e1 } acco = { \set midiMaximumVolume = #0.8 \common \grace{s8\sustainOn} \repeat unfold 4{gis8 gis' e' e'' b b' cis' cis''} s8\sustainOff } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8} } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=70}}$

Interval signals for Radio Nepal

North Korea

Voice of Korea: Melody of "Song of General Kim Il-sung" (김일성장군의 노래).

$% https://www.intervalsignals.net/sounds/kre-vo_korea_140412.mp3 \relative{ s2*1/6 <g'' e>2*5/6 <e c>8. <f c>16 <g c,>4 <c a,>4 <e, a,>8. <f a,>16 <g g,>2 } \midi{\tempo 4=45 \set Staff.midiInstrument = "electric piano 1"}$

Voice of Korea

Pyongyang FM [ko]: Melody of "Song of General Kim Jong-il" (김정일장군의 노래).

$% https://www.intervalsignals.net/sounds/kre-pyongyangfm_160811.mp3 \relative{\key g \major g''2 b,4 e d4 8. c16 b2 e4 fis g b a4. fis8 d2} \midi{\tempo 4=55 \set Staff.midiInstrument = "electric piano 1"}$

Pyongyang FM

KBS World Radio: "Dawn"; Korean kids song "Moon, moon, bright moon" (달아 달아 밝은달아)

$% https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3 \relative{ \time 3/4 <g'' d>4 <c g> <g d> q2. <g d>4 <f c> <c g> q2. <f c>4 <c g> <g' d> <f c>2. <g d>4 <f c> <c g> q2. } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=58 \set Staff.midiInstrument = "vibraphone"}$

KBS World Radio - Moon, moon, bright moon

RTL Radio: last segment of "lb:De Feierwon" by Michel Lentz, played on chimes.^[5]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/lux-z-rtl_german_1440_2015.mp3 main = \relative \voices 2,1<< {\clef "treble^(8)" g''4 8 f e4 a g b c2}\\ \magnifyMusic 0.6{e4 d8 f e4 r g f e2} >> acco = \relative{c4~ <c b''> <c' g'> <f c'> e d <g c,,>2} \score{ << \main \new Lyrics \lyricsto "2"{Wéi mir e -- sou ze -- frid -- de sin.} >> } \score{<<\main \new Staff \acco>> \midi{\tempo 4=72 \set Staff.midiInstrument = "music box"} }$

RTL Radio

Radio Madagascar (mg:Radio Madagasikara):

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/mdg-radio_madagascar_060815.mp3 common = {\clef "treble^(8)" \key a \major} main = \relative{ \set Staff.midiInstrument = "kalimba" \set midiMaximumVolume = #1.1 \common \grace{s16*4} <cis''' a,>8. <a cis,>16 cis cis b, <e' e,> b,8 d'16 e r8 b16 d 8 fis16 <a e> <cis fis,>8 e,16 <cis' b,>16 r4 } acco = \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \set midiMaximumVolume = #0.7 \common \grace{<e cis'>16*4} <a, e' cis'>4 4 8. 16 r8 q8 <e' gis d'>8. 16 b8 q <a e' cis'>8. 16 } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=124}}$

Radio Madagascar

Radio Mauritania:

$% https://www.intervalsignals.net/sounds/mtn-radio_mauritania_051108.mp3 \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \clef "treble_(8)" \key f \major \time 12/8 \partial 8 f8 bes4 a8 c4 a8 bes4 g8~\prall 4 bes8 a4 8~ <a g'>4. <a f'>8 r g4 4 << {\hideNotes \grace{g'4~} 2. \unHideNotes}\\ {\grace{g8 f} e4 f8 d4 e8} >> f4 g,8~\prall 4 8_" //" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8}} \midi{\tempo 4.=132}$

Radio Mauritania

Voice of Mongolia: "Motherland" (Эх орон) by Luvsanjambyn Mördorj.^[6]

$\relative{ % https://www.intervalsignals.net/sounds/mng-mnr2_100116.mp3 \clef "treble^(8)" \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.3 \key bes \major f''4\omit\sustainOn d'4 8. c16 bes4 c8. d16 bes4 f2 } \midi{\tempo 4 = 50}$

Interval signal for Voice of Mongolia

Radio New Zealand International: The call of a New Zealand bellbird

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/nzl-rnz_pacific_130423.mp3 main = \relative { \set Score.midiInstrument = "ocarina" \clef "treble^(15)" \time 2/4 \omit Staff.Script f'''8.-.[ \grace{gis,16 \stemDown c' g} \stemNeutral c,16-.] fis8-. 8-_ a,8-_ \grace{fis'16} d16-. \grace{fis16} d16-. \repeat tremolo 8 {gis128 c} gis16[ \grace{g'8} e16-.] d,8.-_ \tuplet 3/2{\repeat tremolo 2 a'64-. \repeat tremolo 2 g,-. \repeat tremolo 2 f-.} d-. } \score{\main} \score{ \unfoldRepeats \main \midi{\tempo 4 = 120} }$

Radio New Zealand International

ORTN:

$\header{tagline=##f} % 0:27 https://www.intervalsignals.net/sounds/ngr-ortn_lv_du_sahel_220124.mp3 main = \relative{ \set Staff.midiInstrument = "flute" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \key es \major \time 5/8 \repeat volta 2{ \grace{as''16*2(} 4) 4 8 \grace{as16*2(} geh8) eeseh8 8 deh bes' \grace{as16*2(} 4) 4 deh,8 \grace{geh16*2(} eeseh4) 8 deh bes' } } \score{\main \layout{indent=#0 line-width=#120 }} \score{\unfoldRepeats \main \midi{\tempo 4=180}}$

Office of Radio and Television of Niger

Radio Pakistan: A tune composed by Khwaja Khursheed Anwar.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/pak-rp_nca_151013.mp3 main = \relative{ \set Staff.midiInstrument = "lead 6 (voice)" \key des \major \grace{s8} r4 es'2.~ 4 as2.~ 4 g16 as bes as g as bes des~ 4~ 4 es2 as4 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.6 \key des \major \clef bass \grace{s8\sustainOn} \repeat unfold 4 {<des, as,>4 <as, des> <des es>4 4} s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 69} }$

Radio Pakistan

Philippines:

Far East Broadcasting Company: "We Have Heard the Joyful Sound".

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/phl-febc_mon_280425.mp3 common = {\key f \major \partial 8*3} mainA = \relative{c''8 c f~ 2 c8 f g a~ 2 r8 c c c~ 2 r8 g a f~ 2} main = \relative{ \set Staff.midiInstrument = "celesta" \clef "treble^(15)" \common \transpose c c' \mainA } acco = { \set Staff.midiInstrument = "electric piano 1" \set Staff.midiMaximumVolume = #0.6 \common <<\mainA \\ \relative{r8 r8 \repeat unfold 4{<a' f c>8~ 4 <g e c> <a f c>4.}}>> } \score{\main \layout{indent=#0 line-width=#110 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=118}}$

FEBC

Radio Veritas Asia: "O via, vita, veritas".

$% https://www.intervalsignals.net/sounds/phl-z-radio_veritas_asia_130518.mp3 \relative{ \key bes \major \partial 4 f'4 bes f g f bes4. c8 d4 4 c2 d4. c8 bes1\fermata } \midi{\tempo 4=100 \set Staff.midiInstrument = "shanai"}$

Radio Veritas Asia

: Qatar Radio

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/qat-z-qbs_french_010305.mp3 common = {\key ges \major \time 3/4} main = \relative{ \set Staff.midiInstrument = "pizzicato strings" \common \grace{s8} r4 r ces'' beseh4. ges8 ces4 beseh4. 8 4 r8 ges4 beseh8 r4 s8_"//" } acco = \relative{ \set Staff.midiMaximumVolume = #0.7 \common \grace{s8\sustainOn} \repeat unfold 2{<< {ges8 des' ges ces des ces ges'4. ces,8 des ges,}\\ {ges,2 r8 ges ges2 r8 ges} >>} } \score{\main} \score{ << \partCombine \main \transpose c c, \main \new Staff \acco >> \midi{\tempo 4=112} }$

Qatar Radio

Radio Romania International: The first nine notes of “Pui de lei", lyrics by Ioan S. Nenițescu and song by Ionel G. Brătianu [ro]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/rou-rri_130308.mp3 main = \relative{\partial 4 g'4 e'4. d8 c b c d e2 c4 r} \score{ << \main \\ {\set midiMaximumVolume = #0.5 \magnifyMusic 0.7 \transpose c c, \main} >> \layout{} \midi{\tempo 4=100 \set Staff.midiInstrument = "electric piano 1"} }$

Radio Romania International

Russia

Radio Mayak: Vibraphone version of Moscow Nights.

$% 0:19 https://www.intervalsignals.net/sounds/rus-radio_mayak_221007.mp3 \relative<< \key e \minor \time 2/4 {e''8 g b g a4 g8 fis b4 a e2}\\{<e, g>2 <a c> <g b>} >> \midi{\tempo 4=64 \set Staff.midiInstrument = "vibraphone"}$

Radio Mayak

Radio Sakha: Excerpt from a Yakut folk song.^{[citation needed]}

$% https://www.intervalsignals.net/sounds/rus-nvk_radio_sakha_180716.mp3 \relative<< \key e \major \partial 4 {b'8 b gis'4. 8 16 a gis8 fis gis8~ 2.\fermata s8_"//"}\\ {s4 <e, b'>1*7/4} >> \midi{\tempo 4=63 \set Staff.midiInstrument = "drawbar organ"}$

Radio Sakha

: Radio Rwanda

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rrw-radio_rwanda_160809.mp3 main = \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \clef bass \time 12/8 \repeat volta 2{ g,8 ceh4 beh8 g4 <ceh g>4 r8 deh~ <deh g,>4 g,8 ceh4 beh8 g4 g4 r8 ceh~ <ceh g>4 } } cutt = \new DrumStaff \drummode{ \set Staff.midiInstrument = "brush kit" \repeat volta 2{ r4 sn r r r sn r sn r r r sn } } \score{\main} \score{ \unfoldRepeats << \main \cutt >> \midi{\tempo 4. = 142} }$

Radio Rwanda

: Radio Saudi International

$% https://www.intervalsignals.net/sounds/ars-sba_rsi_181213.mp3 \relative{ \clef "treble_(8)" \key c \major \time 4/4 \partial 8 <g g,>8 c c d <beh beh,> c4. <g g,>8 c c d <beh beh,> c4 d eeh8 8 c c <a a,>8 8 <g g,>8 8 s_" //" } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=90 \set Staff.midiInstrument = "acoustic guitar (nylon)"}$

Radio Saudi International

Radio Slovenia: Electronically generated cuckoo chirping.

$\header{tagline=##f} % 0:03 https://www.intervalsignals.net/sounds/svn-rs1_010804.mp3 main = { \set Staff.midiInstrument = "ocarina" \repeat volta 3 {e''8\omit-_ cis''\omit-_ r4 r2} \mark \markup \tiny "x3" } \score{\main} \score{\unfoldRepeats \main \midi{\tempo 4=114}}$

Radio Slovenia

: Radio Uganda

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/uga-z-radio_uganda_external_service_cm_310382.mp3 % https://www.intervalsignals.net/sounds/uga-z-radio_uganda_blue_020603.mp3 main = \relative{ \key es \major \time 9/8 \repeat volta 2{ <<{ r8 bes''8 8 8 16 8 16 8 8 g r8 bes8 8 g16 8 16 8 8 bes r }\\{ g,16 des bes f' des bes es g des bes bes f' bes, bes f' bes, es g des es bes es es bes es g es g g des g f es bes des des }>> } } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8}} } \score{\unfoldRepeats \main \midi{\tempo 4.=106 \set Staff.midiInstrument = "xylophone"} }$

Radio Uganda

Radio Ukraine International: "The Wide Dniepr Roars and Moans" (Реве та стогне Дніпр широкий).

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukr-ur1_250415.mp3 sustainOfn = \sustainOff\sustainOn mainA = \relative{\time 3/4 a'4 c e a2 e4 d2 c4 2. b} main = { \set Staff.midiInstrument = "ocarina" \clef "treble^(8)" \transpose c c' \mainA } acco = <<{ \set Staff.midiInstrument = "harpsichord" \set Staff.midiMaximumVolume = #0.7 \mainA }\\ \relative{ s2. \grace{a8\sustainOn e' c'}s2. \grace{d,,8\sustainOfn f' a}s2. \grace{e,8\sustainOfn c' a'}s2. \grace{e,8\sustainOfn e'gis}s2. s8\sustainOff }>> \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=72}}$

Radio Ukraine International

BBC World Service:

English programme: "Bow Bells".
Non-English programme, non-Europe: three notes tuned B–B–C.
Non-English programme, to Europe: four notes tuned B–B–B–E.

$% https://www.intervalsignals.net/sounds/ukg-bbcws_b_interval_signal_170701.mp3 << \new Staff="bbc"<< {b'2 2 c''1}\\ \magnifyMusic 0.7{<g' d'>2 2 <g' e'>1} >> \new Lyrics \with{alignAboveContext="bbc"} \lyricsto "1"{B -- B -- C} >> \midi{\tempo 4=106 \set Staff.midiInstrument = "electric piano 1"}$

$% https://www.intervalsignals.net/sounds/ukg-bbcws_v_interval_signal_170701.mp3 << \voices 2,1<< {\clef "treble_(8)" \time 2/4 r8 b[ b b] e}\\ \magnifyMusic 0.6{r8 b'[ b' b'] e''} >> \new Lyrics \lyricsto "2"{B -- B -- B -- E} >> \midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"}$

Interval signals for BBC World Service

United States:

NBC: 3 chime-like notes.

${ \set Staff.midiInstrument = "vibraphone" \omit Staff.TimeSignature \cadenzaOn g'2 e'' c''1*2 \bar "|" } \midi{\tempo 2 = 152}$

Interval signal for NBC

Trans World Radio (TWR)

Trans World Radio: Hymne Monégasque (Monaco anthem)

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/mco-twr_romanian_150411.mp3 common = {\key g \major \time 6/8} main = \relative { \clef "treble^(8)" \common d''4. g4 a8 b4. c4 b8 a4. b4 a8 g4. d d' d4 8 4.~ 4 g,8 a4 b8 c4 b8 a2. } acco = { \common <g' b'>2.~ 2. <d' fis'>2. <g' b'>2. 2.~ 2. <d' fis'>2.~ 2. } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} } \score{<<\main \new Staff \acco>> \midi{\tempo 4.=116 \set Staff.midiInstrument = "electric piano 1"} }$

Trans World Radio

TWR Europe: Amazing Grace

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/mco-twr_europe.mp3 #(define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #}) m = \applyMusic #mag \etc common = {\key g \major \time 3/4 \partial 4} \score{ \relative<<{ \common d''4 \tuplet 3/2 4{g4 \m{d8 g4 b8} b a g} b4 \m{d,} a' \tuplet 3/2 4{g4 \m{c8}} \m{g4} e d2. }\\ \magnifyMusic 0.6{ \common s4 <g, b>2. <f g b> <e g c> <g b> }>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"} }$

TWR Europe

TWR Albania: "What a Friend We Have in Jesus"

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/alb-twr_c1998.mp3 #(define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #}) m = \applyMusic #mag \etc \score{ \relative \voices 1,2,4<<{ \key e \major \tuplet 3/2 4{b''4 \m{e,8 gis4} b8 cis4 b8 gis4 e8} e4 \m{cis4} \tuplet 3/2 4{4 \m{e8 dis4 cis8}} b4 \tuplet 3/2 4{\m{4} e8 gis4 fis8 e4 dis8} e2. r4 }\\ \magnifyMusic 0.6{ <e, b'>2 <e a>4 <e b'> <a, a'>2 2 <e' gis>2 b2 <e gis b>2. }\\ \magnifyMusic 0.6{ s1 s1 s2 \shiftOff <a dis>4 a }>> \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} \midi{\tempo 4=118 \set Staff.midiInstrument = "vibraphone"} }$

TWR Albania

TWR Guam: first part of "We've a story to tell to the nations"

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/gum-ktwr_130815.mp3 sustainOfn = \sustainOff\sustainOn common = {\key d \major \partial 4} main = \relative{ \clef "treble^(8)" \common \tuplet 3/2{d''4 e8} fis4 4 g \tuplet 3/2{fis4 eis8} fis2 d4 \tuplet 3/2{fis g8} a4 4 b \tuplet 3/2{a gis8} a2. r4 } acco = \relative{ \set Staff.midiInstrument = "acoustic guitar (steel)" \set Staff.midiMaximumVolume = #0.7 \clef "treble_(8)" \common s4 <<{ \grace{d16\sustainOn a' d}fis2 \grace{g,,16\sustainOfn g' d'}a'2 \grace{d,,16\sustainOfn a' d}fis1 \grace{d,16\sustainOfn a'}e'2 \grace{e,16\sustainOfn gis}e'2 \grace{a,,16\sustainOfn cis'}e2. r4\sustainOff }\\{ s1 s4 \tuplet 3/2 4{d4 e8 fis4 e8 d4 cis8} d4 cis b gis a2. }>> } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=110}}$

KTWR

TWR Africa: last part of "We've a story to tell to the nations"

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/swz-twrafrica_sw_300724.mp3 common = {\key g \major \partial 4} main = \relative{ \clef "treble^(8)" \common d'''4 g g fis e8. 16 d4 b g c b b8. 16 4 a g \magnifyMusic 0.6{d'8. 16 g2\longfermata} } acco = \relative{ \set midiMaximumVolume = #0.5 \common d'4 g <c g'> <cis g'> <d g> <dis g> e <a, g'> <d, g'> <a' g'> <c fis> <c d> <g e'> <g d'>2 s1 s } \score{\main \addlyrics{And Christ’s} \layout{indent=#0 line-width=#120 \context{\Lyrics fontSize = #-3 }} } \score{<<\main \new Staff \acco>> \midi{\tempo 4=132 \set Staff.midiInstrument = "fx 3 (crystal)"} }$

TWR Africa

TWR Bonaire: last part of Stand Up, Stand Up for Jesus by George James Webb

$\header{tagline=##f} % 0:06 https://shortwavearchive.com/archive/trans-world-radio-pjb-bonaire-june-30-1993 common = {\key bes \major \partial 4} mainA = \relative{\common f''4 bes4. 8 d4 bes4 2 g4 bes f bes d c bes1} main = <<\magnifyMusic 0.6 \transpose c c' \mainA \\ \mainA>> \score{{\clef "treble^(8)" \mainA} \addlyrics{Till ev -- 'ry foe}} \score{ << <<\mainA \\ \transpose c c, \mainA>> \new Staff \relative{ \set midiMaximumVolume = #0.8 \clef bass \common s4 bes,4 <f' bes d>-. r q-. es, <g' bes es>-. r q-. bes,4 <f' bes d>-. f, <f' a c>-. bes,-_ f-_ bes-_ bes,-_ } >> \midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"} }$

TWR Bonaire

Voice of America: Brass band version of "Yankee Doodle".

Interval signal for Voice of America

WEWN, later EWTN Global Radio: "Salve Regina"

$% https://www.intervalsignals.net/sounds/usa-wewn_al_181212.mp3 \relative{ \clef "treble_(8)" \omit Staff.TimeSignature \key des \major \cadenzaOn \hide Stem des4 f as bes4*5/4 as2*9/8 \bar "'" bes4 des c bes as bes as as2*7/4 \bar "'" des4*3/2 as4*11/4 bes4*5/4 ges2*9/8 es2*11/8 \bar "'" f4 ges as4*5/4 f4*6/4 f4*7/4 es des2*2 s4 \bar "|" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} \midi{\tempo 2=73 \set Staff.midiInstrument = "choir aahs"}$

WEWN

Vatican Radio: "Christus Vincit", played on celesta.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/cva-z-vatican_radio_c1982.mp3 common = {\key f \major} sustainOfn = \sustainOff\sustainOn mainA = \relative{a'''2 a c c f, f a a d g, c f,4 bes a2 g4. f8 1} main = { \set Staff.midiInstrument = "celesta" \clef "treble^(8)" \common \grace{s8 s s} \partCombine \mainA \transpose c c, \mainA } acco = { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #0.9 \clef bass \common \grace{f8\sustainOn a c'}f'1 \grace{e8\sustainOfn g c'}g'1 \grace{d8\sustainOfn a d'}f'2 b \grace{c8\sustainOfn g a }e'1 <bes, d' f'>2\sustainOff <c c' e'>4\sustainOn bes, <a, c' f'>2\sustainOff <bes, bes d'>4\sustainOn g, <c a f'>2\sustainOff <c, c bes e'> \grace{f,8\sustainOn c a}f'1 } \score{{\clef "treble^(15)" \common \mainA} \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 2=62}}$

Interval signal for Vatican Radio

Radio Nacional de Venezuela's Canal Internacional [es]: Beginning of "Alma Llanera" by Pedro Elías Gutiérrez and Rafael Bolívar Coronado.

$% https://www.intervalsignals.net/sounds/ven-rnv_international_101008.mp3 \relative{ \key f \major \time 3/4 r4 c'' c f e8 g4 f8 a4 g8 f4 e8 g4 f8 e4 d8 e4 c r4 } \addlyrics{Yo na -- cí~en es -- ta ri -- be -- ra del A -- rau -- ca vi -- bra -- dor} \layout{indent=#0 line-width=#120 } \midi{\tempo 2.=72 \set Staff.midiInstrument = "synthbrass 2"}$

Radio Nacional de Venezuela

Đài tiếng nói Việt Nam (VOV): latter half of "vi:Diệt phát xít"

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/vtn-vov5_150405.mp3 mainA = \relative{ \set Staff.midiInstrument = "violin" \partial 4 d'''8.-. 16 8 r d8.-. c16 d8 r d8.-. c16 a8.-. g16 c8.-. d16 e8 r \bar "" e8.-. 16 d8 r d8.-. 16 8 r d8.-. e16 d8.-. c16 a8.-. c16 g4 } acco = \relative{ \set Staff.midiInstrument = "electric piano 1" \clef bass \partial 4 r4 <<{ \set midiMaximumVolume = #0.6 r8 <g b d> r q r q r q r q r q r <g c e> r q r <g b d> r q r q r q <g b>4 <d g> s8 }\\{ g,,4-. d-. g-. d-.-. g d-. c-. e-. g-. d-. g-. d-. g-. d-. g4 }>> } \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))} \score{{\omit Script \clef "treble^(8)" \mainA} \addlyrics{Mau mau mau vai kề vai} } \score{ << <<\mainA \\ \transpose c c, \mainA>> \new Staff \acco >> \midi{\tempo 4=102} }$

Voice of Vietnam

Formerly used

Radio Tirana: Këputa një gjethe dafine (transmission intro); the trumpet version of With Pickaxe and Rifle.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/alb-z-radio_tirana_c1980.mp3 common = {\key g \minor \time 2/4 \partial 16} main = \relative{\common d''16-. 4-_ 8. es16-. d4-_ c8. a16-. bes2 g} acco = \relative{ \set midiMaximumVolume = #0.7 \common bes'16-. 4-_ a-_ g-_ d-_ g2 d } \score{{\omit Script \main}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=114 \set Staff.midiInstrument = "trumpet"} }$

Radio Tirana

Radio Australia: chorus segment of Waltzing Matilda; Kookaburra call; News signature tune: Majestic Fanfare.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/aus-radio_australia_061104.mp3 \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 9)) } common = {\key f \major} main = \relative{ \clef "treble^(8)" \common c'''4 c8. 16 4 a-. f'4 8. e16 d4 c4 4 8 8 d4 c8 8 4 bes8 a g4 f8 g a4 8 8 g4 4 f8 g a f d e f4 c f8 a c4 bes8 a g4-. g8-. g f2 } acco = \relative{ \set Staff.midiMaximumVolume = #0.6 \common \voices 2,1,3<<{ f'8 a c a f a c a f bes d bes f bes a4 8 c, a'-. a bes c, a'-. a-. a c, g' f e c d e f a c a e bes' c bes d, a' d4 \stemUp f,8 g as4 \stemDown c,8 f a4 c,8 a' g f e c d e f2 }\\{ f2 f f f4 s s8 c4. s8 c4. s8 c4. s2 f2 e d \stemDown bes4 b \stemUp c2 c4 }\\{ <f' a>4 s4 s2 bes4 4 f4 4 4 8-. 8-. 4 8-. 8-. f4 s4 s2 s1 s1 s1 s4 bes,-. a2 }>> } \score{{\omit Script \main} \addlyrics{Waltz -- ing Ma -- til -- da, waltz -- ing Ma -- til -- da} \layout{ \context{\Staff \magnifyStaff 0.9} \context{\Lyrics fontSize=#-2 } } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=108 \set Staff.midiInstrument = "electric piano 1"} }$

Radio Australia

Radio Österreich International: An der schönen blauen Donau ("Blue Danube Waltz") by Johann Strauss.^[7]

$% https://www.intervalsignals.net/sounds/aut-z-orf_c1975.mp3 { \key bes \major \time 3/4 \voices 2,1<<{ \set midiInstrument = "french horn" \set midiMaximumVolume = #1.0 bes d' f' <bes d' f'>2.*7/3 }\\{ \set midiInstrument = "clarinet" \set midiMaximumVolume = #0.6 s2. r2 <d'' f''>4-. 4-. r4 <bes' d''>4-. 4-. s8 }>> } \midi{ \context{\Staff \remove "Staff_performer"} \context{\Voice \consists "Staff_performer"} \tempo 4 = 114 }$

Radio Österreich International

Ö1: Three notes signifying O–R–F by Werner Pirchner, played on viola.^[8]

$% https://www.intervalsignals.net/sounds/aut-orf1_260112.mp3 { \clef bass \set Staff.midiInstrument = "viola" \set midiMaximumVolume = #1.0 c4 g c'2 } \midi{\tempo 4 = 120}$

Interval signal for Ö1

ORF:

1st Program: Schubert, Rosamunde, Ballet Music 2

$% https://www.intervalsignals.net/sounds/aut-z-orf_regional_1980.mp3 \relative{ \key g \major \time 2/4 \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.1 g'8\omit\sustainOn g16 d g8 g16 d g8 b d4 } \midi { \tempo 4 = 80 }$

Österreichischer Rundfunk

3rd Program: Haydn, Surprise Symphony

$% https://www.intervalsignals.net/sounds/aut-z-radio_oesterreich_c1953.mp3 \relative{ \key f \major \time 2/4 \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.1 f'8 f a a c c a4 } \midi { \tempo 4 = 40 }$

Österreichischer Rundfunk

RTBF International:

Où peut-on être mieux qu’au sein de sa famille ? [fr].

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/bel-z-rtbf1_c1998.mp3 common = {\key e \major} main = {gis2 8 a a b b4. a16 gis fis4 r a2 8 b cis dis e4. dis16 cis b4 r} \score{ << {\common \relative c'' \main}\\ \magnifyMusic 0.6{ \set midiMaximumVolume = #0.8 \common \relative c' \main} >> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=55 \set Staff.midiInstrument = "vibraphone"} }$

RTBF International

Benoit, Beiaardlied

$% https://www.intervalsignals.net/sounds/bel-z-brt1_rvd_1977.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \key f \major \cadenzaOn \partial 4 a'4*5/6 \bar "|" a4 g4*7/6 bes4*5/6 a4*7/6 \bar "|" f2*7/8 c4 a' \bar "|" a g8*3/2[ a8] bes4*5/6 e,4*7/6 \bar "|" c'2 } \midi{\tempo 4 = 78}$

RTBF International

Rádio Nacional: Luar do Sertão ("Hinterlands Moonlight").

$\header{tagline=##f} % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=5586 sustainOfn = \sustainOff\sustainOn main = \relative{ \partial 8 g'8 c4. d8 e4. d8 f4. e8 d4. c8 b4. a8 g4. f8 e2. } acco = { \set midiMaximumVolume = #0.7 \clef bass \partial 8 r8 c8\sustainOn g e'4 \grace{<g' c''>16\sustainOfn}bes,8 bes g'4 \grace{<f' c''>16\sustainOfn}a,8 f c'4 \grace{<f' bes'>16\sustainOfn}as,8 f bes4 \grace{<d' g'>16\sustainOfn}g,8 f b4 f,8\sustainOfn f 4 e,8\sustainOfn <g c'> <f d'>\sustainOfn g,8 <c, c'>8*2\sustainOfn s8\sustainOff } \score{\main} \score{<<\new Staff \main \new Staff \acco>> \midi{\tempo 4=64 \set Staff.midiInstrument = "electric piano 1"} }$

Rádio Nacional

Radio Canada International: First four notes of O Canada, played on piano or autoharp.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/can-z-rci_200907.mp3 main = {\clef "treble^(8)" \key g \major b''2 d'''4.. d'''16 g''2} acco = {\set midiMaximumVolume = #0.6 \key g \major <g' d''>2 <d' a'> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=106}}$

Radio Canada International

Cyprus Broadcasting Corporation: closing segment of Avkoritissa (Αυκορίτισσα), a traditional Cypriot song of Avgorou^[9]

$\header{tagline = ##f} % 0:24 https://www.intervalsignals.net/sounds/cyp-cybc1_100910.mp3 main = \relative{ \set Staff.midiInstrument = "flute" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \partial 16*3 g''16 a b16*2 \grace{c8 d} c8.*2/3 a16 b8 g d'4 r16 g,16 a b16*2 \grace{c8 d} c8.*2/3 a16 b8 g a2 } acco = { \set Staff.midiInstrument = "string ensemble 1" \set midiMaximumVolume = #0.7 \clef bass \partial 16*3 s16 s8 <c g e'>4 <g, b d'> <d a f'>2 <c g e'>4 <g, b d'> <a, a c'>2 s8 } \score{\main \layout{\context{\Staff \magnifyStaff 0.8}}} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 102} }$

Cyprus Broadcasting Corporation

Radio Prague:

Smetana, Má vlast, 1. Vyšehrad

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/tch-z-csr_praha_210868.mp3 common = {\clef "treble_(8)" \key es \major \time 3/4} sustainOfn = \sustainOff\sustainOn mA = {\common <es g bes>4 <c es g c' es'> r8 <d f bes d'> <es g bes>4 } mB = {\common \grace{es32\sustainOn g}bes4 \grace{c32\sustainOfn es g c'}es'4 r8 \grace{d32\sustainOfn f bes}d'8 \grace{es32\sustainOfn g}bes4 } \score{\mA} \score{\mB \midi{\tempo 4 = 50 \set Staff.midiInstrument = "orchestral harp"}}$

Czechoslovak Radio

last segment of Kupředu levá ("Forward, Left") by cs:Jan Seidl

$% https://www.intervalsignals.net/sounds/tch-z-radio_prague_swahili_c1975.mp3 << \relative<<{ \set Staff.midiInstrument = "trumpet" \key d \major a'8.-. d16 4 e8-. d4. b8.-. d16 4 e8-. \cadenzaOn d4.*3\fermata }\\{ \set midiMaximumVolume = #0.6 fis,8.-. <fis a>16 4 8-. 4. g8.-. <g b>16 4 8-. 4.*3\fermata s8 }>> \new Lyrics \lyricsto "1"{ Ku -- pře -- du le -- vá, ku -- pře -- du le -- vá, } >> \midi{\tempo 4=104}$

Radio Prague

Adagio – Allegro molto from Symphony No. 9 by Dvořák.

$% https://www.intervalsignals.net/sounds/cze-z-cro7_radio_prague_021102.mp3 % Mvt.1, b.189 \relative{ \set Staff.midiInstrument = "french horn" \set midiMaximumVolume = #1.0 \key e \major \time 2/4 \omit Script e'4. e8-. cis-. b4. \undo\omit Script e8. gis16-. b8-. 8-. 2 } \midi{\tempo 4 = 110}$

Radio Prague

Radio Denmark: Nielsen, Moderen, Prelude to Scene 7

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/dnk-z-radio_denmark_c1978.mp3 % Moderen, Prelude to Scene 7, b.20 main = \relative{ \clef "treble^(8)" \key g \major \partial 4 g''8 fis g4 d g a b2 a4 c8 b a4 g g fis g2. r4 } acco = \relative{ \set Staff.midiMaximumVolume = #0.7 \key g \major \partial 4 <<{ g'8 fis g4 d g a <g' d>2 <fis d>4 <g c,>8 <g e> <e c>4 <e b> <e a,> <d a> <d b>2. }\\{ s4 s1 g,,4 b d e a e c d g,2. }>> } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \main \new Staff \acco >> \midi{\tempo 4 = 94} }$

Radio Denmark

HCJB: Great Is Thy Faithfulness^{[citation needed]}

$\header{tagline=##f} % 0:10 http://www.kawamura-photo.sakura.ne.jp/bcl/sound/hcjb2000.mp3 % https://www.youtube.com/watch?v=2P-z_OqSEFo common = {\partial 4} ep = {\set Staff.midiInstrument = "electric piano 2"} st = {\set Staff.midiInstrument = "string ensemble 1"} mainB = \relative<<{r8 g''2 4 d f4. e8 e2}\\{g,8-. c4-. r8 g-. c4-. r8 g-. c-. g-. c-. g-. c4-. s}>> main = \relative{ \ep \common \partial 4 c''16 d e f \new Voice="1A"{g8-. g-. g-. d-. f8. e16 8-. d-.} c-. d-. e-. d16 c d8-. g,8-. g-. c-. g'8-. g-. g-. d-. f8. e16 8-. d-. c-. d8*3/2-. \grace{d8 e}d8.*2/3 c16 \once\stemUp 4. \st \mainB s8_"//" } acco = \relative{ \ep \common s4 s1 r2 r4 r8 c'8 g'2. r8 c,16 c g'2. r8 \st \transpose c c, \mainB } \score{ \new Staff="gr"<< {\omit Staff.Script \main} \new Lyrics \lyricsto "1A"{Great _ is Thy faith -- ful -- ness} \new Lyrics \with{alignAboveContext="gr"} \lyricsto "1"{Great is Thy faith -- ful -- ness} >> \layout{\context{\Staff \magnifyStaff 0.8} \context{\Lyrics fontSize = #-3 }} } \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))} \score{<<\main \new Staff \acco>> \midi{\tempo 4=110}}$

The Voice of the Andes

HCJB Japanese program: "Sakura Sakura" (さくらさくら, cherry blossoms)

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/eqa-z-hcjb_japanese_1975.mp3 common = {\key c \minor} main = { \set Staff.midiInstrument = "marimba" \set midiMaximumVolume = #0.8 \common \relative{c''4 4 d2 c4 4 d2 c4 d es d c d8 c as2 s8_"//"} } acco = << \new Staff \relative{ \set Staff.midiInstrument = "marimba" \set midiMaximumVolume = #0.6 \common \repeat percent 2{ \repeat percent 8{c'64*1/2 es64*3/2 c'64*1/2 g64*3/2} \repeat percent 8{d64*1/2 g64*3/2 d'64*1/2 b64*3/2} } \repeat tremolo 4{c,32 c'} \repeat tremolo 4 {d, d'} \repeat tremolo 4{es, es'} \repeat tremolo 4{d, d'} \repeat tremolo 4{c, c'} \repeat tremolo 2{d, d'} \repeat tremolo 2{c, c'} \repeat tremolo 8{as, as'} } \new Staff \relative{ \set Staff.midiMaximumVolume = #0.6 \clef bass \common \repeat percent 2{<<{s2 r8 g'' es d}\\{<c,, es g>4-. r <g d' g>2}>>} es'8 g' g, g' c,, g'' g, g' f, as' es,4 d8 f' g as } >> \score{\main} \score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=70}}$

The Voice of the Andes (Japanese)

Yle Radio 1: Pim-pam-pulla, a tune from the 1700s proposed by A. O. Väisänen for 5-string kantele.^[10]^[11]

$% https://yle.fi/a/20-98112 "Uusi väliaikamerkki" <<\relative{ \key f \major c''2 bes4 a g2 a2 c bes4 a g1 a }\\ \magnifyMusic 0.7 \relative{ \set midiMaximumVolume = #0.9 f'1 c'2 f,~ f r c'1 <f, c'> }>> \midi{\tempo 4=95 \set Staff.midiInstrument = "electric piano 1"}$

Radio Finland (Yle)

Radio France Internationale: a popular song, Nous n'irons plus au bois [fr].^[7]

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/fra-z-rfi_c1975.mp3 main = \relative{ \key g \major \time 2/4 \set Staff.midiInstrument = "trumpet" \omit Script r8. g'16-. b8-. c-. d4 g d \grace{\scaleDurations 2 {c16( e}} d8-.) c-. b4 a g2 } acco = { \key g \major \set Staff.midiInstrument = "bassoon" \set Staff.midiMaximumVolume = #0.7 << \relative{ r8. g'16 fis8-. e-. d8. c16 b8-. c-. d-. c-. b-. c-. d8. s16 s8 d-. b2 }\\{ g2~ 2~ 2 d8. d'16 d'8-. d-. g2 }\\ \relative{ s2 b'8. a16 g8-. a-. b8. g16 g8-. e-. g4. fis8-. g2 s8 }>> } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 110} }$

Radio France Internationale

Nordwestdeutscher Rundfunk: The 4th symphony by Brahms.

$\header{tagline=##f} % https://youtu.be/0xAWEL6mnZI % Mvt.1 b.112 main = \relative{ \set Staff.midiInstrument = "french horn" \set midiMaximumVolume = #0.9 \key b \major \time 2/2 \tuplet 3/2 2{r4 r <dis' b>8-. <e cis>-. <fis dis>4-. <dis b>-. <gis e>-.} <fis dis>2*2/3 } acco = { \set Staff.midiInstrument = "timpani" \set midiMaximumVolume = #0.8 \clef bass \omit Dots \repeat tremolo 24 b,16*2/3 b,2 } \score{{\omit Script \main}} \score{<<\main \new Staff \unfoldRepeats \acco>> \midi{\tempo 2=60}}$

NWDR

Reichssender Berlin [de]: Ending bars of Volk ans Gewehr, played on celesta.

$% https://rias1.de/audiokennung.htm#:~:text=Reichsprogramm \relative{ \clef "treble^(8)" \key d \minor f'''2 a,4. d8 <c a>1 <<{a2 a4. a8}\\{a2 g}>> <d' f,>1 } \addlyrics{Volk ans Ge -- wehr} \midi{\tempo 4=90 \set Staff.midiInstrument = "celesta"}$

Reichssender Berlin

East Germany

Berliner Rundfunk: Motif from the opera Regina, Act3 Finale by Albert Lortzing, played by horns.

$% https://www.intervalsignals.net/sounds/ger-z-brf_c1975.mp3 % Act3 Finale \relative{ \key f \major \time 3/4 \set Staff.midiInstrument = "french horn" \set Staff.midiMaximumVolume = #0.9 \omit Staff.Script \partial 4 <<{ c'4-. bes'8.-. a16-. g4-. f-. e8.-. f16-. g4-. }\\{ c,4-. g'8.-. f16-. e4-. d-. c8.-. d16-. e4-. } >> } \midi{\tempo 4 = 100}$

Berliner Rundfunk

Radio Berlin International: Beginning of Auferstanden aus Ruinen ("Risen from Ruins"), played on chimes.

$% https://www.intervalsignals.net/sounds/ger-z-rbi_rvd_1975.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \key as \major \time 2/4 <c'' as>4 4 <bes es,> <as c,> <des bes>4 4 <c as> <bes es,> } \midi{\tempo 4 = 69}$

Radio Berlin International

Radio DDR: Refrain of de:Wann wir schreiten Seit’ an Seit’

$% https://www.intervalsignals.net/sounds/ger-z-radio_ddr1-2_c1988.mp3 \relative{ \set Staff.midiInstrument = "oboe" \set midiMaximumVolume = #0.9 \key g \major \time 3/2 \partial 2 \omit Staff.Script <d'' b g>4-_ 4-_ 2.-_ 4-_ <c a>-_ <d b>-_ <e c>2~ \hideNotes 4 s8 } \addlyrics{Mit uns zieht die neu -- e Zeit} \midi{\tempo 4=108}$

Radio DDR

Radio NTS: Tchaikovsky, Symphony #5, Mvt.4

Interval signal for Radio NTS

DFS 904 [de]: "Ode to Joy"

Interval signal for DFS 904

Germany

Deutschlandfunk: Ending bars of "Ich hab' mich ergeben" by August Daniel von Binzer.^[12]

$% https://rias1.de/audiokennung.htm#:~:text=Deutschlandfunk,-1963 \relative{ \set Staff.midiInstrument = "celesta" \clef "treble^(8)" \key d \major \partial 4 d''4 <b' g>4 4 <d b> <a fis>2 <fis d>2 } \addlyrics{Dir Land voll Lieb' und Le -- ben} \midi{\tempo 4=76}$

DLF

RIAS Berlin: Franz Wallner-Basté [de]

$% https://www.intervalsignals.net/sounds/ger-z-rias_c1948.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \clef "treble^(8)" \partial 4 g''8 <c e,>16 <c e,>8 <g d> <e c> <f d> <g e>2 } \midi{\tempo 4 = 72}$

RIAS Berlin

Deutschlandsender: Mozart, The Magic Flute (Ein Mädchen oder Weibchen) / Schubart, Üb’ immer Treu und Redlichkeit

$% https://rias1.de/audiokennung.htm#:~:text=Deutschlandsender { \set Staff.midiInstrument = "orchestral harp" \key g \major \time 2/4 \partial 4 d'4 <g' b>4 4 <a' d'>4 4 << { b'4. a'8 } \\ { g'4 d' } >> <g' b> } \midi {\tempo 4 = 90}$

Deutschlandsender

Funk-Stunde Berlin [de]:

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/ger-z-reichssender_berlin_1935.mp3 main = \relative{ \set Staff.midiInstrument = "brass section" \set midiMaximumVolume = #0.9 \key bes \major bes4 d8-. f-. bes2 <bes, d>4 <d f>8-. <f bes>-. <bes d>2 } acco = { \clef bass \set Staff.midiInstrument = "timpani" r2 r8 d16 d d4 r2 r8 d16 d d4 s } \score{\main} \score{ <<\main \new Staff \acco>> \midi {\tempo 4 = 114} }$

Reichssender Berlin

ORAG Königsberg

Friedrich Dewischeit, de:Masurenlied (Wild flutet der See)

$\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=ORAG main = { \key d \major \time 6/8 \set midiMaximumVolume = #1.2 d''4. fis'8. g'16 a'8 d'2. } acco = { \set midiMaximumVolume = #0.8 \clef bass \key d \major <fis, fis>2. <d fis>2. } \score{\main} \score{ << \set Score.midiInstrument = "orchestral harp" \main \new Staff \acco >> \midi{\tempo 4. = 60} }$

Ostmarken Rundfunk

Wo des Haffes Wellen trecken an den Strand^{[citation needed]}

$% https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=2447 [caution: recreation] % https://www.radiomuseum.org/images/audioimages_klein/Reichssender_Koenigsberg.jpg \relative{ \key g \major \time 6/8 \partial 4. << {b'4 a8 g4 fis8 g4 fis8 g4 b8 e4 d8 a2.} \\ \magnifyMusic 0.7{d,4 c8 4 a8 4 a8 4 <d g>8 4. <d fis>2.} >> } \midi{\tempo 4. = 60}$

Ostmarken Rundfunk

NORAG Hamburg: Wagner, Der fliegende Holländer, Act 3, Steuermann, lass die Wacht (Sailors' Chorus)

$% https://rias1.de/audiokennung.htm#:~:text=NORAG \relative{ \set Staff.midiInstrument = "orchestral harp" \key g \major \time 2/4 <b' g>16 <a d,>16 <g b,>8 4~ 8 <a d,>8 <g b,>4 } \midi {\tempo 4 = 69}$

Nordische Rundfunk

NDR Hamburg:

Brahms, Symphony #2, Mvt.1

$\header{tagline = ##f} % Mvt.1, b.425 % https://www.intervalsignals.net/sounds/ger-z-ndr_010156.mp3 main = \relative{ \set Staff.midiInstrument = "oboe" \set midiMaximumVolume = #0.9 \key d \major \time 3/4 \partial 4 <fis'' d>8 <g e> <a fis>2 <fis d>8 <a fis> <d b>4 <cis a> <a fis> } acco = \relative{ \set Staff.midiInstrument = "clarinet" \set midiMaximumVolume = #0.6 \key d \major \partial 4 s4 <a' fis>2 <fis d>8 <a fis> <d b>4 <cis a> <a d,> s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi {\tempo 4 = 130} }$

Nordische Rundfunk

(Dominant major ninth chord)

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/ger-z-ndr_rvd_c1975.mp3 main = { \set Staff.midiInstrument = "ocarina" \key d \major \omit Script a4-! cis'-! e'-! g'-! b'-! \ottava 1 a'''4*5/4-! a'''-! } accA = { \set Staff.midiInstrument = "ocarina" \clef bass \key d \major r1 r4 a,4*5/4-! a,-! } accB = \relative{ \set Staff.midiInstrument = "tremolo strings" \set midiMaximumVolume = #0.4 \clef "treble_(8)" \key d \major <a, cis e g b'>1*2 s4 } \score{\main} \score{ <<\main \new Staff \accA \new Staff \accB>> \midi{ \tempo 4 = 90 \set Score.midiReverbLevel = #1.0 } }$

Nordische Rundfunk

WERAG Köln: ^{[citation needed]}

${ % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=2421 [caution: recreation] % https://www.radiomuseum.org/images/audioimages_klein/Pausezeichen_Koeln.jpg \set Staff.midiInstrument = "celesta" \omit Staff.TimeSignature \cadenzaOn dis''2 fis'2 b2 }$

Westdeutsche Rundfunk

WDR Köln: Beethoven, Bundeslied (In allen guten Stunden)

$% https://www.intervalsignals.net/sounds/ger-z-wdr_010156.mp3 \relative{ \key bes \major \partial 4 f'4 <bes f d>\omit\sustainOn f <d' bes f>\omit\sustainOff <c a es> <bes f d>2 4*2\fermata } \midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"}$

Westdeutscher Rundfunk

Deutsche Stunde in Bayern München: Wagner, Parsifal, Parsifal bell

$% https://rias1.de/audiokennung.htm#:~:text=München { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #1.3 \key as \major \clef bass \omit Staff.TimeSignature as, es, f, c, } \midi {\tempo 4 = 38}$

Bayerischer Rundfunk

BR München: Wiesberg, de:Solang der alte Peter

$% https://rias1.de/audiokennung.htm#:~:text=Bayerischer%20Rundfunk,-1963 \relative{ \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #1.2 \key es \major \time 3/4 \partial 4 bes4 <es bes g>2 4 <g es bes>2 4 <bes g es>2. <g es bes> } \midi{\tempo 4 = 112}$

Bayerischer Rundfunk

Schlesische Funkstunde Breslau: Hohenfriedberger Marsch

$\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=Breslau main = \relative{ \clef "treble^(8)" \partial 4 g''4 <c e,>4 8. 16 4 <d g,> <e c>8. <d g,>16 <c e,>8. 16 <c e,>2 } acco = \relative{ \partial 4 g'4 c, g' c g c g c,2 } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \new Staff \main \new Staff \acco >> \midi {\tempo 4 = 88} }$

SFAG Breslau

Sender Freies Berlin: Es-F-B

$% https://www.intervalsignals.net/sounds/ger-z-sfb_rvd_1975.mp3 << <<{\time 2/2 s1 es''2 f'' bes'1}\\{es'2 f' bes1*3/2}>> \new Lyrics \lyricsto "2"{S -- F -- B} >> \midi{\tempo 2=54 \set Staff.midiInstrument = "electric guitar (jazz)"}$

SFB

Radio Saarbrücken: Kein schöner Land in dieser Zeit

$% https://www.intervalsignals.net/sounds/ger-z-radio_saarbrucken_1950.mp3 \relative{ \key f \major \time 3/4 \partial 8*3 c''8 c c <f c a>4\omit\sustainOn <a f c> g8 f <g e c>2.\omit\sustainOff } \midi{\tempo 4=54 \set Staff.midiInstrument = "vibraphone"}$

Saarländischer Rundfunk

SR Saarbrücken: de:Steigerlied (2nd line: Und er hat sein helles Licht bei der Nacht)

$% https://www.intervalsignals.net/sounds/ger-z-sr1_europawelle_c1975.mp3 << \new Staff="SR" \relative<<{ \key f \major \partial 4 \omit Staff.Script f'8-. g-. a4-_ a-_ a-_ g8-. a-. bes4-_ g8.-_ 16-. 2 }\\{a,8-. c-. f4-_ f-_ f-_ c8-. f8-. g4-_ c,8.-_ 16-. 2 }>> \new Lyrics \with{alignAboveContext="SR"} \lyricsto "1"{Und er hat sein hel -- les _ Licht bei der Nacht} >> \midi{\tempo 4=92 \set Staff.midiInstrument = "french horn"}$

Saarländischer Rundfunk

SWF Baden-Baden: Mozart, The Magic Flute (Act 2: No.21, Finale: Bald prangt, den Morgen zu verkünden)

$% https://www.intervalsignals.net/sounds/ger-z-swf1_1974.mp3 \relative{ \omit Staff.Script \key es \major \partial 4 <<{ bes'4-_ 4. d8 es8. d16 c8. f16 es4 d } \\ \magnifyMusic 0.7{ <g, es>4-_ 4. <as f>8 <bes g>8. es,16 as8. f16 <bes g>4 <f bes,> }>> } \midi{\tempo 4 = 72}$

Südwestfunk

SDR Stuttgart: Silcher, Jetzt gang i ans Brünnele

$% https://www.intervalsignals.net/sounds/ger-z-sdr_c1970.mp3 \relative{ \omit Staff.Script \set Staff.midiInstrument = "clarinet" \key bes \major \time 3/4 \partial 4 <<{ f'4-_ bes4.-_ a8-. bes-. c-. d4.-_ es8-. \cadenzaOn d4*2 \bar "|." }\\ \magnifyMusic 0.7 { s4 r2 f,4-_ bes f bes,4*2 }>> } \midi{\tempo 4 = 100}$

Süddeutscher Rundfunk

HR Frankfurt: Hermann Heiss

$% https://www.intervalsignals.net/sounds/ger-z-hr_rvd_c1975.mp3 { \set Staff.midiInstrument = "electric piano 1" \omit Staff.TimeSignature \cadenzaOn \ottava -1 <g, f>4\omit\sustainOn \ottava 1 c'''4.*5/6 a''8*3/2[ e''8 b'8*3/2] <a''' f''' d'''>1 } \midi{\tempo 4 = 72}$

Hessischer Rundfunk

Radio Bremen: Bach, Mass in B minor, Et in terra pax

$% https://rias1.de/audiokennung.htm#:~:text=Bremen,-1963 \relative{ \set Staff.midiInstrument = "electric piano 1" \key d \major \omit Script r4 <a' fis>4~ 8 8-. 8 <c a>8-. 8 <c a> <d b> 2 } \midi{\tempo 4 = 90}$

Radio Bremen

Radio Budapest:

Excerpts from the suite 1848 by T.K. Polgar played on three trumpets and two cornets.^{[citation needed]}

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/hng-z-radio_budapest_fdxa_c1976.mp3 common = {\key a \major} main = \relative{ \set Staff.midiInstrument = "trumpet" \common <<{ e''2-_ a8-. e-. d8.-. fis16-. e1-_ 4.-_ 16-. 16-. a8-. e-. d8.-. fis16-. e1 }\\ \magnifyMusic 0.7{ \set midiMaximumVolume = #0.6 <cis a>2-_ <e cis>8-. <cis a>-. 8.-. <d b>16-. <cis a>1-_ 4.-_ 16-. 16-. <e cis>8-. <cis a>-. 8.-. <d b>16-. <cis a>1 }>> } acco = \relative{ \set Staff.midiInstrument = "french horn" \common r4 a'2 e4-_ a e8. 16-. a8-. e-. a4 r4 a2 e4-_ a e8-. 16-. e-. a8-. e-. a4 s } \score{{\omit Staff.Script \main} \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=112}}$

Radio Budapest

Budapest 2

$% https://www.intervalsignals.net/sounds/hng-z-mtr_budapest2_1942.mp3 \relative{ \set Score.midiInstrument = "celesta" \clef "treble^(8)" \key ges \major \repeat unfold 2{<bes'' ges>4 <des bes> <ces as> <des f, des>} <bes ges>4 } \midi {\tempo 4 = 63}$

Hungarian Telephone & Radio

Kol Yisrael: latter half of Hatikvah played on trumpets and timpani.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/isr-z-voice_of_israel_fdxa_c1976.mp3 main = \relative{ \set Staff.midiInstrument = "trumpet" \key d \minor \omit Staff.Script <<{ d'4-_ <d' f,>4-_ 4-_ 4-_ <c a>8-. <d bes>-. <c a>-. <bes g>-. \cadenzaOn <a f>2*2 }\\{ \set midiMaximumVolume = #0.7 d,4-_ d4-_ 4-_ 4-_ d2 \undo\omit Staff.Script d2*2_\fermata }>> \bar "|" } acco = { \set Staff.midiInstrument = "timpani" \set midiMaximumVolume = #0.9 \clef bass \omit Dots s1 s2 d8 a, d \repeat tremolo 3 d16*2/3 \repeat tremolo 6 d d4 s } \score{<<\new Staff="ISR" \main \new Lyrics \with{alignAboveContext="ISR"} \lyricsto "1"{Od lo av -- dah ti -- kva -- te -- _ nu} >> } \score{<<\main \new Staff \unfoldRepeats \acco>> \midi{\tempo 4=116}}$

Kol Yisrael

Rai Italia Radio: Mechanically generated canary chirping.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ita-z-rai_international_220907.mp3 main = \relative{ \clef "treble^(15)" \omit Staff.TimeSignature \time 17/16 \set Timing.beatStructure = 10,3,4 c''''8-. d-. a'-. bes,-. e-. a16 e8-. a16 es8-. r16 \time 23/16 \set Timing.beatStructure = 10,5,3,3,2 a8-. es-. des-. bes-. des-. a'16 des,8-. bes-. a'16 es8-. bes16 des8~ 8 \time 21/16 \set Timing.beatStructure = 6,10,5 \grace{bes8}es-. \grace{b}es-. \grace{c}f-. \repeat percent 5{\grace{es}bes'-.} \grace{es,}bes'16.-. \grace{es,8}bes'16.-. \grace{es,8}ges16 r \time 12/8 \repeat percent 3{\repeat unfold 4{\grace{as16}ges16.-.}} \repeat unfold 2{\grace{as16}ges16.-.} \grace{ges16}f16.-. r } \score{\main \layout{\context{\Staff \magnifyStaff 0.7}}} \score{ \unfoldRepeats \main \midi{\tempo 4=238 \set Staff.midiInstrument = "ocarina"} } \paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 7)) }$

Rai Italia Radio

Radio Riga: ^{[better source needed]}

$% https://www.intervalsignals.net/sounds/lva-z-radio_riga_1991.mp3 % 0:10 http://www.kurzwelle-historisch.de/radios/UdSSR83_R_Riga_hm.mp3 { \time 3/4 \omit Staff.Script <<\relative{ \set midiMaximumVolume = #0.9 c''8.*10/9-_ 16*2/3 <e c>2 \tuplet 3/2 {c8 c c} <e c>2 <f c>4~ \repeat unfold 2{\tuplet 3/2 {<f c>8 <d a> <f c>}} s4_"//" }\\ \relative{ \set midiMaximumVolume = #0.7 c'8.*10/9-_ 16*2/3 <e c>2 \tuplet 3/2 {<c b>8 8 8} <e bes>2 <d a>4~ \repeat unfold 2{\tuplet 3/2 {<d a>8 <d a>}} }>> } \midi{\tempo 4=54 \set Staff.midiInstrument = "brass section"}$

Latvijas Radio

Radio Vilnius:

Lietuvininkai we are born

$\header{tagline=##f} % 1:06 https://www.intervalsignals.net/sounds/ltu-z-lr_radio_vilnius_180706.mp3 common = {\key es \major \partial 4} mainA = {es'4 bes'4. 8 8. 16 g8 es es'4. c8 bes2\omit-_} main = \relative{ \common \mainA es4 f8 es bes4 es8 c d es c4 bes s8_"//" } acco = \relative c,{ \clef bass \common \mainA <es, bes' g'>4 <es bes' as'>8 <es bes' g'> <d bes' f'>4 <c bes' g'> <f bes f'> <f a es'> <bes d> } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=65 \set Staff.midiInstrument = "choir aahs"} }$

Radio Vilnius

latter half of Anthem of the Lithuanian Soviet Socialist Republic

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ltu-z-lr_radio_vilnius_180706.mp3 common = {\key f \major \partial 8} \score{ << \new Staff="ltu"<<\relative{ \common c'8 f4. 8 g8. e16 d8 c f4 c2 r8 c a'4. 8 bes8. g16 f8 g a2. r4 }\\ \magnifyMusic 0.6 \relative{ \common c'8 <c a>4. q8 <d bes>8. 16 <bes g>8 8 <c a>4 <a f>2 s8 c <f c>4. 8 <g c,>8. <e c>16 <d c>8 <d bes> <c f,>2. } >> \new Lyrics \with{alignAboveContext="ltu"} \lyricsto "1"{Ta -- ry -- bų Są -- jun -- goj} >> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=83 \set Staff.midiInstrument = "french horn"} }$

Radio Vilnius

Netherlands

NPO: First eight notes of Wilhelmus, played on:^[13]

Flute family: Hilversum 1 (Radio 2)
Oboe family: Hilversum 2 (Radio 1), Hilversum 5
Synthesizer then Carillon: Hilversum 3
Harpsichord: Hilversum 4

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-nos_hilversum4_1982.mp3 common = {\key b \major \partial 4} \score{ \relative{\mark "Hilversum 4" \common fis'4 b b cis8 dis e cis8 dis2} } \score{ <<\relative{ \common fis'4 \stemDown b_. \stemUp b-. cis8 dis e cis8*2 \grace{dis16*2 cis}dis2 } \\ \magnifyMusic 0.6 \relative{ \set midiMaximumVolume = #0.6 s4 \stemUp <dis'' b>8[ <cis ais>] \stemDown [ <ais fis>] <gis e> cis, <ais' fis> fis,8*3/2 2. }>> \midi{\tempo 4=122 \set Staff.midiInstrument = "harpsichord"} }$

Radio Vilnius

Radio Netherlands: Carillon version of the Eighty Years' War song Merck toch hoe sterck.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-radio_netherlands_rvd_c1975.mp3 common = {\key a \minor \time 2/2} main = \relative{ \common a'4 gis8 a b4 a8 b c4 b8 a b2 c4 b8 c d4 c8 d e4. e8 d e c d b2 a } acco = \relative{ \set midiMaximumVolume = #0.7 \common <a c>2 <e gis'> <a c> <e' gis> <a, e'> <g' bes> <c, g'> <f a> <e, e'>4 <e' gis> <a, c>2 s } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 2=53 \set Staff.midiInstrument = "tubular bells"} }$

Radio Netherlands (old)

Norway

NRK P1: Motif from Sigurd Jorsalfar by Edvard Grieg.^[14]^{[citation needed]}
Radio Norway International (Utenlandssendingen [no], former international service of NRK): no:Pausesignalet og kjenningssignalet

Pausesignalet: a herding call stylized by Eivind Groven

$% https://www.intervalsignals.net/sounds/nor-z-radio_norway_1966.mp3 \relative{ \time 9/4 \omit Staff.TimeSignature a' d a c d c8 a8 b8 g8 a4*2 } \midi{\tempo 4=86 \set Staff.midiInstrument = "celesta"}$

NRK - Pausesignalet

Kjenningssignalet: beginning bars of Symphony No.1 "Innover viddene" by Eivind Groven

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/nor-z-radio_norway_rvd_c1981.mp3 common = {\key es \major \time 3/4 \partial 8} main = \relative{ \common bes'8 16 16 d f es d es8~ 8 8 d16 bes8. c16 as8. bes4~ 2 r8 bes8 16 16 d f es4. des8 ces bes16 as ges4. 8 as bes16 des ces8 bes4 as8 ges16 f ges f es f ges8~ 8 as ges16 f ges f es f ges8~ 8 f es des es2~ 2. } acco = \relative{ \set midiMaximumVolume = #0.7 \clef "treble_(8)" \common s8 <d' f>4 <c as'>2 <bes g'>4 <as f'> <ges es'>4~ 2. <f d'>4 <ges es'> <as f'>4~ 4 <ces es>2 <fes, des'>2. <es bes'>2~ 8 <as ces> <es bes'>2~ 8 <as~ des> <ces,~ as'>4 ces <es ges bes>4~ 2. } \paper{system-system-spacing = #'((basic-distance . 0))} \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.7}} } \score{<<\main \new Staff \acco>> \midi{\tempo 4=60 \set Score.midiInstrument = "orchestral harp"} }$

NRK - Kjenningssignalet

Poland

Radio Katowice: Sound of a hammer striking an anvil.^[15]
Radio Olsztyn [pl]: Excerpt from pl:O Warmio moja miła by Feliks Nowowiejski, played on barrel organ.

$% https://www.intervalsignals.net/sounds/pol-z-pr_olsztyn_rvd_1975.mp3 \relative<<{ \clef "treble^(8)" \key f \major \partial 8 c'''8 4. a8 bes4 d f2 c2 }\\ \magnifyMusic 0.7{ \set midiMaximumVolume = #0.7 s8 f, e d c d4 bes a4 c8 f a2 }>> \midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"}$

Radio Olsztyn

Polish Radio External Service: Excerpt from Prząśniczka by Stanisław Moniuszko^[16]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/pol-z-radio_polonia_250206.mp3 common = {\key c \minor \time 2/4 \partial 8*3} main = \relative{ \set Staff.midiInstrument = "flute" \set midiMaximumVolume = #0.9 \common g'8-. a-. b-. c8.-! 16-. es8-. f-. g4-! c,8-. c-. as'4-! g8-. f-. es4-! d-! c-! s8_"//" } acco = << \new Staff \relative{ \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #0.85 \common g'8 a b c16 d c g es g c d c d c g es g c d c d c as f as c d c d c as f as c d c4 } \new Staff { \set Staff.midiInstrument = "steel drums" {\set midiMaximumVolume = #0.8 \common s8 s4 c''2} \clef "bass_(8)" \set Staff.midiInstrument = "acoustic bass" \new Voice{\set midiMaximumVolume = #1.0 g,4.. c,16 2~ 2 4} } >> \score{{\omit Script \main}} \score{<<\main \acco>> \midi{\tempo 4=134}}$

Polish Radio External Service

Radio Polonia:

Etude No. 12 ("Revolutionary Etude") by Chopin

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/pol-z-polish_radio_c1996.mp3 main = \relative{ \key c \minor \partial 16*5 <c'' c'>16[ <d d'>8. <es es'>16] 2 r8. <g, c es g>16[ 8. 16] <as c es as>2 <g g'>2 } acco = \relative{ \key c \minor \clef bass \partial 16*5 s16 s4 c,16\sustainOn g' c d es g c d es d c g es d c g c,\sustainOff\sustainOn g' c d es d c g c,2\sustainOff\sustainOn s8\sustainOff } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 120} }$

Radio Polonia

Military Polonaise by Chopin

$% https://www.intervalsignals.net/sounds/pol-z-polr1_c1996.mp3 \relative{ \key a \major \time 3/4 <<{ <a'' cis,>8\sustainOn[ r16 <e cis>] q8[ r16 q] <fis d>-.\sustainOff <gis d>-. <a d,>-. -. <cis e,>8. <a cis,>16 4 }\\{ \set midiMaximumVolume = #0.6 <a,, e' a>8[ r16 q] q8[ r16 q] <a e' b'>16-. q-. q-. q-. <a e' a>8. 16 4 }>> } \midi{\tempo 4=66}$

Radio Polonia

Radio Bucharest 1 and Radio Bucharest External Service (pre 1989): Fragment from Cantata anilor luminǎ by Anatol Vieru^{[citation needed]}

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/rou-z-radio_bucharest_c1985.mp3 ob = \relative{ \set Staff.midiInstrument = "oboe" \set Staff.midiMaximumVolume = #0.9 \partial 8 <<{g'8-. c4-_ d8.-. d16-. e4 c8.-. e16-. g4-_ f8-. e-. d-.}\\ {g,8-. e4-_ g8.-. g16-. c4 e,8.-. c'16-. e4-_ d8-. c-. b-.}>> } bs = { \set Staff.midiInstrument = "bassoon" \set midiMaximumVolume = #0.7 \partial 8 r8 r1 <g g'>4-_ 8-. 8-. 8-. s } \score{{\omit Staff.Script \ob}} \score{<<\ob \new Staff \bs>> \midi{\tempo 4=110}}$

Radio Bucharest

Voice of Russia: "Great Gate of Kiev" portion of Pictures at an Exhibition by Mussorgsky.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/rus-z-vor_is_111111.mp3 sustainOfn = \sustainOff\sustainOn common = {\key es \major \time 2/2} mainA = \relative{es''1 f g2 es4 g f2 bes, g'4 bes f es d2 bes g'1} acco = \relative{ \clef bass \common <g bes bes'>1 \grace{d4\sustainOn f}<bes bes'>1 \grace{es,4\sustainOfn g}<bes bes'>2 <c, c' g'>2\sustainOff <d d' bes'> bes es'2 <d, bes' bes'>4 <c bes' bes'> <bes bes' f'>2 <g g'> \grace{es'4\sustainOfn g}<bes bes'>1 } \score{{\common \mainA} \layout{indent=#0 line-width=#120 }} \score{ <<{\common <<\mainA \\ \transpose c c, \mainA>>} \new Staff \acco>> \midi{\tempo 2=67 \set Staff.midiInstrument = "vibraphone"} }$

Voice of Russia

Radio Serbia: Bože pravde.

$% 0:40 https://www.intervalsignals.net/sounds/srb-irs_100209.mp3 \relative<<{ \key a \major cis'''4 b8 gis a4 b8 cis d4 cis8 b a gis fis4 a4 b8 cis e4 d cis b8 a \cadenzaOn b2*3\fermata \bar "|" }\\ \magnifyMusic 0.6{ a,2 fis b a8 gis fis4 d2 e a e2*3 }>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=94 \set Staff.midiInstrument = "celesta"}$

Radio Serbia

Radio Slovakia International: sk:Kto za pravdu horí

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/svk-sr_rsi_240408.mp3 mainA = \relative{c'''8 g e f a4 \cadenzaOn g4*2\fermata \bar "|"} \score{{\clef "treble^(8)" \mainA}} \score{ <<\mainA \new Staff{\transpose c c,, \mainA s2}>> \midi{\tempo 4=55 \set Staff.midiInstrument = "fx 4 (atmosphere)"} }$

Radio Slovakia International

Radio RSA (former international service of Apartheid-era South African Broadcasting Corporation): Bokmakierie chirping and first bars of Ver in die Wereld, Kittie, played on guitar.^[7]^[17]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/afs-z-radio_rsa_1977.mp3 common = {\key e \major \time 2/4} main =\relative{ \common b'8 b16 b b8-. a-. gis b4. fis8 a4. gis8 b4. b8 b16 b b8-. a-. gis b4. fis8 a gis fis e2 } acco = \relative{ \set Staff.midiMaximumVolume = #0.6 \clef "treble_(8)" \common <<{ <dis' gis>8 16 16 8-. <cis fis>-. b4 8 a cis4 <cis a'>8 b b4 8 <dis gis>8 16 16 8-. <cis fis>-. b4 8 a cis b a }\\{ s2 e4 b b b e b s2 e4 b b b' }>> \grace{e,,16\omit\sustainOn b'}gis'2 } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=53 \set Staff.midiInstrument = "acoustic guitar (nylon)"} }$

Radio RSA

Radio Exterior de España: "Generala" (1761,1769) by es:Manuel de Espinosa de los Monteros

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/spa-z-ree_c1982.mp3 common = {\key d \major \time 3/8} main = \relative{ \set Staff.midiInstrument = "celesta" \common fis''8. e16 d8 fis16 e fis g a g fis8. e16 d8~ \hideNotes d4. } acco = \relative{ \set Staff.midiInstrument = "acoustic guitar (steel)" \set Staff.midiMaximumVolume = #0.6 \clef bass \common <<{fis'16 d a g' d a fis' d a e' d a fis' d a g' r8}\\{d,8. d d d d d}>> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 8=119}}$

Radio Exterior de España

Radio Sweden:

Ut i vida världen ("Out in the Wide World"), composed by Ralph Lundsten^[18]

$% https://www.intervalsignals.net/sounds/swe-z-sr_radio_sweden_070704.mp3 \relative{ \key c \minor \partial 8*3 g'8\omit\sustainOn c d es4 g d g c,2 r8 g c f a2 f4 a g1 } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"}$

Radio Sweden

the opening notes of Carl Michael Bellman's Storm och böljor tystna r'en.^[7]

$% https://www.intervalsignals.net/sounds/swe-sr1_021106.mp3 \relative{ \clef "treble^(8)" \key es \major \time 3/4 es''4.. g16 <f bes,>8. as16 <g es>4 <bes f> \cadenzaOn <es g,>4*3\fermata \bar "|" } \midi{\tempo 4=79 \set Staff.midiInstrument = "celesta"}$

Radio Sweden

Switzerland

Radio Beromünster [de]: D' Zit isch do, played on music box.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/sui-z-sbc_sr2_rumantsch_1977.mp3 main = \relative{ \clef "treble^(15)" \key d \major \time 2/4 a'''8 a fis4 a8 a fis4 e8 e16 fis g8 e fis d' a4 } acco = \relative{ \clef "treble^(8)" \key d \major <<{a''8 a d4 a8 a d4 cis8 cis16 d e8 cis d d a4} \\ {fis4 d fis d a4. e'8 <d fis>2} >> } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \main \new Staff \acco >> \midi {\tempo 4 = 86} }$

Landessender Beromünster, Bern

Swiss Radio International: de:Lueget, vo Bärgen und Tal.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/sui-z-sri_221000.mp3 common = {\key b \major \time 3/8} main = \relative{ \common dis''8. e16 dis8 cis8 fis,8 dis'8 b4. r fis8. gis16 fis8 b8 dis8 fis8 cis4. } acco = { \clef bass \common <b, fis'>4. <fis ais'> 4. r <dis b>4. <b, dis'>4. <fis ais'>4.*3 } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4.=58 \set Staff.midiInstrument = "music box"} }$

Swiss Radio International

Red Cross Broadcasting Service: Purcell, The Indian Queen, Trumpet Tune

$\header{tagline=##f} % http://www.kawamura-photo.sakura.ne.jp/bcl/sound/redcross.mp3 main = \relative{ \set Staff.midiInstrument = "trumpet" \time 3/4 g'8-. g16 g e8-. g-. e-. g-. c-. c16 c g8-. c-. g-. c-. e-. e16 d c8-. e-. d-. g16 f16*2 \grace{e16*2( f} e4*3/4) s_"//" } acco = { \set Staff.midiInstrument = "string ensemble 1" \set midiMaximumVolume = #0.7 \clef bass <c e'>4-. r r <c e' g'>4-. r r <c g' c'>8 c16 d e8-. c-. <g g' b'> g,-. <c g' c'>4 } \score{{\omit Script \main} \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=114}}$

Red Cross Broadcasting Service

Voice of Turkey: Turkish makam, played on piano.

Interval signal of Voice of Turkey as heard in 2013

Radio Moscow (former international service of the Soviet Union):

Подмосковные вечера ("Moscow Nights") performed by "Georgy Garanian and Melodia"^{[citation needed]}

$\header{tagline=##f} % 0:30 https://www.intervalsignals.net/sounds/rus-z-rmws_coup_190891.mp3 % https://youtu.be/Zg6CfBtO_uw #(define (fiver mus) #{ \repeat unfold 5{#mus } #}) v = \applyMusic #fiver \etc common = {\key f \minor \partial 2} main = \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \common s2 \v f'16*4/5 \v as \v c \v as \v{bes bes} \v as \v g \v{c c} \v{bes bes} \v{f f f f} \v as \v c \v es \v es \v{f f} \v es \v des \v{c c c c} \v{d d} \v{e e} s8 } acco = << \new Staff \relative<<{ \set Staff.midiInstrument = "electric piano 1" \set midiMaximumVolume = #0.7 \clef bass \common s2 f4 <as c es>4 4. <as c d>8~ 4. <as c des>8~ 2 <as c>8 <as es' f>4-_ 8 <as bes e>4. <as es' f>8~ 4. <as d f>8~ 8 <as es' f>4. <as c es>2 <g as c> <f as es'> <fes g des'> <es bes' c>4 f8 g as bes c f <f, b d>4 b8 d e <bes c>-. <c e bes'>4 }\\{ \set midiMaximumVolume = #1.0 s2 f,,4. f8 c4 f8 es bes'4. f'8 bes,4. b8 c4 c,4. c8 d e f4. 4 c8 bes as8 4. 4 8 bes c des8 4 8 es8 4 8 as8 4 es8 as4 es8 as g8 d g ges4 des8 ges f }>> \drums{ <<{ \common tomh16 16 16 16 toml16 16 8 \grace{cymc16} \repeat unfold 16{hh8 hh sn hh} }\\{ r2 \repeat unfold 8{bd4. bd8 r2} }>> } >> \score{ \relative{\key f \minor f'4 as c as bes2 as4 g c2 bes f1 as4 c es es f2 es4 des c1 d2 e s8_"//" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} } \score{<<\main \acco>> \midi{\tempo 4=132}}$

Radio Moscow

Песня о Родине ("Wide Is My Motherland")

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rus-vgtrk_motherland_is_121212.mp3 main = {\partial 4 d''8 d g4. fis8 e fis g a g4 d2} acco = {\partial 4 s4 b2 c b2.} \score{\relative{\key g \major \main}} \score{ \relative{ \set Staff.midiInstrument = "electric piano 1" \key g \major <<\main \\ \acco>> } \midi{\tempo 4 = 60} }$

Radio Moscow

BBC World Service: Trumpet version of Oranges and Lemons; first four notes of Symphony No. 5 by Beethoven, played on timpani; Lillibullero (signature tune).^[19]

$% https://www.intervalsignals.net/sounds/atg-z-bbc_caribbean_relay_c1981.mp3 \relative{\key a \major \time 3/4 \omit Staff.Script <<{ e''4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ cis-_ a2-. e'4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ a,2 }\\{ a4-_ e-_ a-_ e-_ cis d8 e fis4-_ d-_ gis-_ e-_ cis2-. gis'4-_ e-_ gis-_ e-_ fis gis8 a b4-_ d,-_ gis-_ a2 }>> r4 } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=136 \set Staff.midiInstrument = "pan flute"}$

BBC - Oranges and Lemons

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukg-bbcws_lillibolero_230799.mp3 common = {\key g \major \time 6/4} mainA = \relative{ \repeat volta 2{ g'4.-_ a8-. g4-. b2-_ 4-. a4.-_ b8-. a4-. c2.-_ b4-. d-. g,-. c2-_ b4-. a-. g-. fis-. g2.-_ }} main = {\set Staff.midiInstrument = "trumpet" \common \mainA s8_"//"} acco = << \new Staff{ \set Staff.midiInstrument = "clarinet" \common \transpose c c' \mainA } \new Staff \relative{ \set Staff.midiInstrument = "french horn" \clef bass \common \repeat volta 2{ <g, b' d>4 r r <e g' e'> r r <a c' e> r r <d, d'' fis> r r <g d'' g> r r <c, c'' e> r r <d a'' fis'> r r <g b' d> r r } } >> \score{{\omit Script \main} \layout{indent=#0 line-width=#120 }} \score{\unfoldRepeats <<\main \acco>> \midi{\tempo 2.=106}}$

BBC - Lillibullero

World Christian Broadcasting (Alaska KNLS, Madagascar Madagascar World Voice (MWV)):

Chariots of Fire by Vangelis

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/als-z-knls_anchor_point_ak_c1988.mp3 \score{ \relative<<{\cadenzaOn r8 c'' \tuplet 3/2{f[ g a]} \bar "|" g4 e r8*2/3 c \tuplet 3/2{f8[ g a]} \bar "|" g2*2/3 r8*2/3 c, \tuplet 3/2{f8[ g a]} \bar "|" g4 e r8*2/3 e \tuplet 3/2{f8[ e c]} \bar "|" c2 }\\{ r4 a g2 r4*2/3 a4 g2*2/3 r4*2/3 a4 g2 s4*2/3 a4 g2 }>> \layout{indent=#0 line-width=#120 } \midi{\tempo 4=52 \set Staff.midiInstrument = "celesta"} }$

KNLS (old) - Chariots of Fire

an unnamed tune by Jeff Brock^[20]^{[better source needed]}

$% KNLS https://www.intervalsignals.net/sounds/als-knls_anchor_point_ak_130724.mp3 % MWV https://www.intervalsignals.net/sounds/mdg-mwv_lightoflife_150416.mp3 \relative{\key f \major c'4. c'8~ 2~ 4. bes8~ 8 a g f c'4. f,8~ 2~ 1 s8_"//"} \midi{\tempo 4=130 \set Staff.midiInstrument = "electric piano 2"}$

KNLS/MWV - (an unnamed tune)

WYFR: First bars of To God Be the Glory by William Howard Doane

$\header{tagline=##f} % 0:05 https://www.intervalsignals.net/sounds/usa-z-wyfr_fl_290900.mp3 common = {\key bes \major \time 3/4 \partial 4} main = \relative{ \set Staff.midiInstrument = "trumpet" \common <<{ f'4-_ 2-_ g8.-_ a16 bes4-_ f-_ bes-_ c-_ f,-_ c'-_ d4 s4_"//" }\\ \magnifyMusic 0.6{ d,4-_ 2-_ es8.-_ c16 d4-_ f-_ f8-. g-. f4-_ 4-_ 4-_ f4 } >> } acco = \relative{ \set Staff.midiInstrument = "french horn" \clef bass \common <<{ bes4-_ 2-_ 8.-_ a16 bes4-_ 8-. a-. bes4-_ a4-_ 4-_ 4-_ bes4 }\\{ bes,4-_ 2-_ 4-_ bes,4-_ 8-. c-. d-. es-. f2-_ 4-_ bes,4 } >> } \score{{\omit Staff.Script \main}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=118}}$

KNLS/MWV - (an unnamed tune)

Radio Yugoslavia (1980–1989):

Druže Tito, ljubićice bjela anonymous Partisan song, in various orchestral renditions.^[21]

$\header{tagline=##f} % 0:19 https://kawamura-photo.sakura.ne.jp/bcl/sound/yugo1990.mp3 common = {\key a \major \time 2/4} main = \relative{\common e''4 4 d8 e d4 cis8 8 b a b4 4~ \hideNotes 4.} acco = \relative<<{ \common cis''8 <e,> cis' q b q b q a a e e a fis <gis e>4~ 4. }\\{ a,2 gis fis e4. b'8 e,4. s8 }>> \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=102 \set Staff.midiInstrument = "electric piano 1"} }$

Radio Yugoslavia

The Internationale

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_c1980.mp3 \score{ \relative<<{ \omit Staff.Script \key f \major \time 2/4 \partial 8 c''8-. f4.-_ e8-. g f-. c-. a-. d2-_ bes2-_ }\\ \magnifyMusic 0.6{ \set midiMaximumVolume = #0.6 c,8-. <f a c>4.-_ <e a c>8-. <g a c> <f a c>-. <c f a>-. <a c f>-. <d f bes>2-_ <bes d f>2-_ }>> \midi{\tempo 4=85 \set Staff.midiInstrument = "trumpet"} \layout{} }$

Radio Yugoslavia

Radio Yugoslavia, later International Radio of Serbia and Montenegro: 2nd verse of Svečana Pesma (sr:Свечана песма) by sh:Nikola Hercigonja

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_160203.mp3 common = {\key bes \major \partial 4} main = \relative{ \common f'8 f bes8. f16 4 g a8 bes c8. f,16 4~ \hideNotes 2 } acco = \relative{ \clef bass \common r4 <<{<bes d>2 <bes es> <a f'>1}\\{bes,1~ 2~ <bes f>2 s8}>> } \score{\main \addlyrics{Ju -- go -- sla -- vi -- jo, bor -- ba te ro -- di -- la,}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=90 \set Staff.midiInstrument = "electric piano 1"} }$

Radio Yugoslavia

Classical radio station WQXR-FM in New York City, during its ownership by The New York Times Company, played different variations of a classical infused gong with the ID read at the same time as "The Classical Station of the New York Times, WQXR, New York (And WQXR.com 2000–2009) ^{[citation needed]}