Fanny Quincy Howe (October 15, 1940 – July 8, 2025) was an American poet, novelist and short story writer. She was raised in Cambridge, Massachusetts.[1][2] Howe wrote more than 20 books of poetry and prose.[3] Her major works include poetry such as One Crossed Out, Gone, and Second Childhood; the novels Nod, The Deep North, and Indivisible; and collected essays such as The Wedding Dress: Meditations on Word and Life and The Winter Sun: Notes on a Vocation.[3]
Howe was born in Buffalo, New York on October 15, 1940.[7] Her father Mark DeWolfe Howe (son of Mark Antony De Wolfe Howe) was then teaching at the state university law school. When her father left to join the fighting in World War II, her mother, Irish playwright Mary Manning, took Howe and her older sister Susan Howe to Cambridge, Massachusetts. (Their younger sister Helen was born after their father's return from the war.) There the family lived through the children's childhoods.[8] Later in life, Fanny did not identify with her father's cultural background of the so-called Boston Brahmins, though she admired him personally.[9]
Her father became a colonel and served in Sicily and North Africa. After the war he went to Potsdam as a legal adviser in the Allies' reorganization of Europe.[10] Returning to peacetime, her father continued his work as a lawyer and became a professor at Harvard Law School.[11]
Howe's mother had been an actress at the Abbey Theatre in Dublin for some time before coming to the United States in 1935. She also wrote several plays performed there and at the Gate Theatre.[10] Her maternal aunt was Helen Howe, a monologuist and novelist. Her sisters are the poet Susan Howe and Helen Howe.
Fanny Howe attended Stanford University for three years. She was briefly attracted by the political activism, and communism. In 1961—the year she left Stanford—she married Frederick Delafield, a microbiologist. They had no children and divorced two years later.[12]
As a civil rightsactivist, she met fellow activist Carl Senna; they married in 1968. (Their daughter Danzy Senna recalled: "I remember my mother went to the courthouse to get some paperwork for the marriage and in Boston, where interracial couples hadn't been illegal at that time ... [and] the woman said to her, "Wait, I have to go in the back and see if this is legal that you two are getting married."[13]) They also shared literary interests but had increasing perdonal conflicts. They had three children in four years: two daughters and a son.[10] After they split up, Howe went on welfare for a period.[14]
Writing career
Howe in 2008
She published two paperback original "pulp" novels under the pseudonym Della Field during the 1960s.[10] Known as "Nurse Novels," one book featured a nurse in the Vietnam War while the other was about a nurse living in San Francisco.[15]
These were not typical of her later works in poetry and prose. Some of her novels came close to her poetry in using experimental techniques and an abbreviated language. Howe had long studied the writings of Edith Stein and Simone Weil, and sometimes pursued questions similar to theirs.
She converted to Catholicism at the age of 40.[16]
As Zack Schlosberg writes in Cleveland Review of Books, "Suffering and seeking are two major subjects of Howe's fiction...", which he also found in her novel London-rose, written in the 1990s but not published until 2022.[16]
Howe continued to publish novels and essays throughout her career.[17]
Poet Michael Palmer finds that "Howe employs a sometimes fierce, always passionate, spareness in her lifelong parsing of the exchange between matter and spirit."[18]
In 2004, Joshua Glenn of The Boston Globe wrote that Fanny Howe "isn't part of the local literary canon," but that her novels offer a rich social history of Boston in the 1960s and '70s.[19] Howe's prose poems, "Everything's a Fake" and "Doubt", were selected by David Lehman for the anthology Great American Prose Poems: from Poe to the Present (2003).[20] Her poem "Catholic" was selected by Lyn Hejinian for the 2004 volume of The Best American Poetry.[21] Howe's Selected Poems won the 2001 Lenore Marshall Poetry Prize. On the Ground was on the international shortlist for the 2005 Griffin Poetry Prize. Howe received the 2009 Ruth Lilly Poetry Prize.[4]
The Needle's Eye: Passing through Youth, Graywolf Press, 2016, ISBN978-1-55597-756-6
References
^Zimmer, Melanie (2008). "Fanny Quincy Howe". In Byrne, James Patrick; Coleman, Philip; King, Jason Francis (eds.). Ireland and the Americas: Culture, Politics, and History : A Multidisciplinary Encyclopedia, Volume 2. ABC-CLIO. pp. 427–430. ISBN978-1-85109-614-5.
^"Fanny Howe". The Poetry Foundation. Retrieved June 27, 2011.
^Roberts, Chloe Garcia (2025). "The Art of Poetry No. 118". The Paris Review (252): 165. I've always had a peculiar kind of revulsion to my background [...]. Where my father's family came from.
^Roberts, Chloe Garcia (2025). "The Art of Poetry No. 118". The Paris Review (252): 135. Howe's immense body of work–twenty-five books of poetry, twelve novels, two pulp romances, three books of essays, two collections of short stories, one book of prose rearranged from books past, six works of young adult fiction, and six short films–is [...] a sort of existential wilderness.
^ ab"Fanny Howe". The Academy of American Poets. Retrieved June 27, 2011.
^Glenn, Joshua (March 7, 2004). "Bewildered in Boston". The Boston Globe.Subscription required.
^Lehman, David, ed. (2003). "Fanny Howe". Great American Prose Poems: from Poe to the Present. Simon and Schuster. ISBN978-0-7432-2989-0.
^Treseler, Heather (October 20, 2015). "Little Gods". Boston Review. Retrieved October 20, 2015. Howe transfigures our quicksilver hungers and contemporary condition into an art true to "the secular rule of life." If Howe's voice is that of the escaping nymph managing our shipwreck, we might not be safer than in her tote, finding our hope in the empathy that is imagining.
Fanny Howe page at Ploughshares includes links to Howe's contributions to Ploughshares that began in 1972 with an excerpt from an early novel. Later, she was a consistent contributor of poems, essays, and non-fiction. Howe was the guest-editor for a 1974 edition of Ploughshares, and contributed to this journal as late as 2004.
Bewilderment, a talk by Howe, with an excerpt here from a longer version presented 9/25/98 on the Poetics & Readings Series, sponsored by Small Press Traffic at New College, San Francisco. Bewilderment was collected in The Wedding Dress (2003)