Code of Scotland Yard
Code of Scotland Yard (also known as The Shop at Sly Corner) is a 1947 British crime film directed by George King and starring Oskar Homolka, Muriel Pavlow and Derek Farr.[3] It was written by Reginald Long and Katherine Strueby based on the stage play The Shop at Sly Corner by Edward Percy.[4] SynopsisA French antique dealer lives a comfortable life in London. He cares only for his daughter, who is trying to become a professional concert violinist. When his shop assistant discovers that much of his money comes from fencing stolen goods he attempts to blackmail the Frenchman. Cast
ProductionFilm rights were bought by British Lion in May 1945.[5] It was one of the first three films made by Alexander Korda under his new deal with British Lion. Oscar Homolka was imported from the USA to star.[6] Filming started at 6 August 1946.[7] It was shot at Isleworth Studios.[8] The film's sets were designed by the art director Bernard Robinson. It was the film debut of Diana Dors. According to film reviewer Stephen Vagg, "The part was an ideal way to start out – the girlfriend of a slimy blackmailer – and Diana had 'it' from the start; looks, warmth, appeal".[9] Muriel Pavlow and Derek Farr, who played lovers in the film, were married shortly after filming.[10] ReceptionBox officeAs of 30 June 1949 the film earned £124,197 in the UK of which £92,877 went to the producer.[1] It made a profit of £16,162. CriticalThe Monthly Film Bulletin wrote: "Although the ending has been altered, and, although one misses the slow, drawn-out torture of Elliot's cross-examination of Heiss in the stage version, the story is infinitely more telling as a film than as a play, and gains immeasurably in dramatic value by its translation to the screen. In an outstanding cast, some of whom repeat their stage performances, Oscar Homolka has the part of his career and gives a memorable characterisation as Heiss."[11] Variety reported that the "film gathers pace and is truly cinematic in the second half, but the first part is deadly slow and too explanatory without explaining much. More, too, should have been made of the romance between the two young lovers."[12] TV Guide described it as an "interesting melodrama rich with character, thanks to the excellent performance by Homolka and a uniformly fine British cast."[13] References
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