Trouser Press wrote that the album "finds the venerable but passé rapper in an understandably insecure mood, circling his wagons in a vain attempt to get with the new hip-hop generation."[12] The Orlando Sentinel opined that "by the time Blow gets through the first side of the LP, he's delivered three songs that do little more than brag that he's the greatest rapper since the dawn of time, etc ... Yawn."[7]
The Omaha World-Herald praised the album's "melodic tunes": "Express Yourself", "Love Don't Love Nobody", "Feeling Good", and "Blue Iguana".[13]
AllMusic wrote: "The first track and initial single has Blow putting himself on the ropes and the defensive as he proclaims his return, but he never really went anywhere. The song, like the majority of this effort, employs a harder, James Brown sample-laden sound."[9]MusicHound R&B: The Essential Album Guide deemed the album "stale-sounding."[14]
